All Pens and Ephemera

We love the playful color palette of translucent flecks on the design of this limited edition Conway Stewart 100 Series pen. The company calls this color "Flecked Autumn." We would be more apt to call it spumoni or birthday cake. Complete with its original boxes and papers, it is in near-mint condition. It is a classic lever-filler, which we love as much as the colors. You will write a smooth fine-medium line with its 18k gold nib. Click the headline for close-ups. Numbered 13 of 500. 12.9cm capped.

Cherry-red veins swirl through the white pearlescent cap and barrel on this stunning Conklin Endura fountain pen. Our pre-owned pen is from the resurrected Conklin company...not the original from the 1800s through the 1940s. Trimmed in sterling silver plating, this pen is more than just attractive. It writes a phenomenally smooth broad line. Click the headline for close-ups. Sure, the two-tone 14k gold nib is marked "M" for medium, but it write so thickly, it borders on double broad. Our pen comes with its original converter and boxes! Minimal, if any, wear. 14.4cm capped.

Brass-barrel construction and a silver-plated cap offer this luxurious ballpoint pen the weight it needs to write such a smooth line with its ballpoint refill. Our preowned pen looks almost factory fresh...just some light wear from use. Also included are its original boxes and papers. Additionally, you get a great working, blue refill. Twist the tail cap to advance or retract the ballpoint. 13.9cm.

Esterbrook is most famous for it, but Wahl-Eversharp was the first that we know who made nib assemblies that screw in and out of its fountain pens. Click the headline on this Wahl-Eversharp Gold Seal to see the word "Flexible" written on the nib. This was just one of a series of nibs that could be screwed in or out to better suit the needs of its writer. We don't find this 14k gold nib to be super flexible. It seems more like a semi-flex these days. You will write a nice fine to roughly 1mm line. We restored this vintage pen with a new ink sac. Its woodgrain hard-rubber cap and barrel sport some wear and hazing. There is a little brassing on the lever, too. 12.1cm capped.

When people discuss the Parker 51, they are usually focused on the revolutionary fountain pen. However, the Parker 51 is a pretty dang neat pencil, too. This vintage pencil is a nice black with steel cap and gold-plated trim. Twist the tail cap to extend and retract the pre-loaded red lead. This pencil takes any color .9mm lead, though. It has a little wear from use but nothing terrible. No spare leads or hardened eraser, though. 13cm.

There's nothing like writing with a junior-sized Sheaffer Lifetime. Possibly a little overlooked, these are fantastic pens with great nibs. Yes, the nibs are firm, but they also are smooth. We restored this vintage pen with a new ink sac. It shows some wear from use and some brassing on the pocket clip and cap band. However, it remains a solid pen nearly 100 years after it was made. You will write a smooth, wet fine to extra-fine line with its thick 14k gold nib. Click the headline for close-ups. The nib photo shows a hairline crack in the nib from the section through the second 6 in the serial number and into the U of U.S.A. on the imprint. The nib seems stable and still writes well. The pen measures 11.2cm capped.

Everyone talks about the Montblanc 149 as being the uber-pen of the boardroom, but we love the Montblanc 146 size better. This is still a large pen, by most measures, but it fits the hand much more comfortably. The piston filler operates very smoothly. Smoother still is its two-tone 14k gold nib. You will write a buttery smooth medium line with just a touch of line variation. Almost a stub but not quite. A lovely writer. No cracks or substantial wear. Comes from a dedicated Montblanc collector. There is a serial number in the cap band but no Pix under the clip. Guaranteed authentic. 14.6cm capped.

We don't know the model name for this black-hard rubber Wahl pen, but it is a very nice example of the company's 1920s manufacturing. The pattern is still crisp and there is minimal brassing. We couldn't get it open, but it does still have a working ink sac inside it. There is a little chocolate hazing overall with some larger spots of it on the cap. You will write a dry, extra-fine line with a little feedback...but the 18k gold nib also flexes just a little to give you about a half millimeter of line variation. Long and slender. 13cm capped.