Vintage Pens

Mandarin yellow Parker Duofold Juniors are not the most common of colors. Yet, streamlined versions are even more difficult to find. Our vintage pen was fully restored with a new sac several years ago. The photo doesn't showcase the nuance of the colors in the cap and barrel. The of the cap is a couple of shades lighter than the barrel. However, the barrel is inconsistent with some spots darker or lighter than others. The imprint is fairly well worn. No cracks. Minimal, if any, brassing. You will write a buttery smooth, wet fine line with its 14k gold nib. Click the headline for close-ups. 11.5cm capped.

If there was one pen that taught Americans how to write with a fountain pen, it was the Esterbrook J-model. Required by many high schools and professional schools in the 1950s, these vintage pens were attractive, easy to use, easy to customize and very affordable. We restored this J-model pen with a new ink sac. If you have a spare Esterbrook nib, these are easy to customize by simply unscrewing the old nib and screwing in a new one. Its steel 1555 Gregg was designed for practitioners of the Gregg Shorthand Method. Mostly stenographers, secretaries and journalists. You will find it is extra-fine with some feedback. No cracks or deep scratches. Staining to the barrel threads and the pocket clip isn't flush against the side of the cap. 12.7cm capped.

Black ripples on orange hard rubber look fantastic on this Wahl-Eversharp Gold Seal fountain pen. Our vintage pen is fully restored with a new ink sac. We think people will be most interested in its semi-flex 14k gold nib. It has a couple of small dents, but it writes a nice fine line to 1mm wide. There's a little feedback, as many semi-flex nibs do. There is a tiny chip in the lip of the cap but no cracks. You will find some brassing on the trim. We aren't sure that is the original section. Be very careful putting the cap back on the pen. Sometimes you will engage the wrong threads and touch the nib to the cap, as the nib seems too long. Yet, there is one engagement point where the tip of the nib does not touch the cap. Pen measures 12cm capped.

French safety fillers are definitely something we know very little about. Click the headline for close-ups. This is a black, hard-rubber pen by the French company J.M. Paillard. It is the Semper model. Most of the chasing and imprint has been worn down. In the right light with magnification we can see the letters "LLARD" at the end of what would have been the imprint. The safety filler mechanism moves freely but doesn't lock. We couldn't test write with the 18k gold nib because it kept sliding back into the barrel. It seems flexible, but 18k nibs are notorious for being easy to "spring" or ruin. There is a really handsome brass after-market pocket clip on the cap. No cracks in the cap or barrel that we saw. Unrestored. Sold as is. 13.2cm capped.

Among the epic failures of the golden era of vintage pen is the story of the Eversharp Symphony. Designed to replace the wildly popular Eversharp Skyline, this Eversharp Symphony is a handsome pen. We love the dark-blue barrel paired with the chrome and gold-plated cap. Unfortunately for Wahl-Eversharp, its Symphony never quite caught on with the writing public. We restored this pen with a new ink sac. The barrel has some moderate wear but no cracks or nasty scars. No dents mar the cap. You will write a really wet medim--some might call it broad. It has some feedback but not hideous. 14.1cm capped.

We don't normally get so lucky as to have vintage Montblanc pens, but we are very excited to present this Montblanc 234 1/2 G. We think it is from the 1940s, but we aren't certain. This pen was restored about 10 years ago by Montblanc super star Osman Sumer. The piston is still working well, though a little stiff. On the down side, you can see the tail of this barrel has some strange discoloration and possible weakness.. On the plus side, it has a factory oblique double broad nib! The nib matches the marking on the blind cap. Made of 14k gold, this left-foot oblique writes a very juicy line with some nice line variation. It takes a little while to get used to it and find its sweet spot, but it is a blast to write with. No cracks or deep scratches. Click the headline for close-ups. 12.5cm capped.

Bonjour, Waterman #3. We love it when we get French pens from the 1940s. This Waterman #3 is a post-World War II model that we don't think was officially released here in the U.S. We restored it with a new ink sac, and it is a very attractive example. No cracks nor deep scratches. Light wear at worst. You will write a firm, extra-fine line with its 18k gold nib. Click the headline for close-ups. 13.6cm capped.

A ruby-red vintage pen is just what this holiday season needs. Our Esterbrook LJ has been fully restored with a new ink sac. It sports a steel 1555 Gregg nib, which meant the nib was originally for anyone who took shorthand. Think secretaries and journalists. This can be thought of as the long, slender version of the J-model pen. The cap and barrel have some wear from use, but there are no cracks or major scars. Nice, clean imprint. You will write a surprisingly smooth extra-fine line, if you have a light touch with this firm nib. Click the headline for close-ups. 12.8cm capped.