Author Archives: Nathaniel Cerf

About Nathaniel Cerf

Nathaniel Cerf is the owner of ThePenMarket.com. He has been a fountain pen junkie since the age of 9, but his addiction got out of control around 2004, when he began to learn the art of fountain pen repair.

In addition to his pen activities, Nathaniel is a professional writer with a master’s degree in journalism from The University of Montana. A former Gannett newspaper editor, he has also been published in magazines as diverse as Montana Journalism Review, Nostalgia Digest, American Fencing (that’s swords not barb wire or picket) and True Confessions. His photography has appeared in the Chicago Tribune, Argus Leader and American Fencing.

The blogosphere knows Mr. Cerf from “The Hat Chronicals” at www.hats-plus.com, where he created and currently maintains a blog committed to fedoras, pork pies and the history of headwear. He also originated a movie review blog for DVDPlanet.com.

Nathaniel is currently shopping an expose novel he has written about the children’s mental health industry. (Yep, he has a bachelor’s degree in psychology, too.)

If that isn’t enough to keep him busy, he coaches and competes in fencing. He maintains a national rating in foil, but he also dabbles in epee. (That’s the weird sword crossword puzzles always use.) He also continues perfecting the formula for peanut butter and mustard sandwiches and Flaming Hot Orgasmic Tacos from Hell.

Catching Up Part II: Writing for ‘Pen World’

The editor of Pen World was reading through this very blog as he and the staff were working on the story about me in December and found my 4-part piece about helping to connect the generational divides by pen collectors. He really liked it and asked me to write my first story for Pen World Magazine!

The story featured in this April’s edition is a more journalistic approach uniting the generations. Having worked in newspapers for years and written for about a dozen different magazines, it was pretty easy to put that hat back on to report the story. Hopefully it will only be the first of many stories for Pen World. It is fun to write for magazines again.

Here it is with permission from Pen World. Most of the photography was provided by the delightful Laura Solon who is a big help at the Chicago Pen Show.

The cover to the April 2017 issue of "Pen World."

The cover to the April 2017 issue of “Pen World.”

 

 

 

 

 

 

 

 

 

 

 

 

 

Catching Up Part I: Our First ‘Pen World’ Write Up!

It has been a crazy year for us at ThePenMarket.com. As some of you might know, I was working a full-time job…in addition to working full-time hours on ThePenMarket.com…while also coaching youth fencing competitions…while also writing a novel, seeing it published and ultimately being nominated for (and losing) a Pulitzer Prize. Toss in lots of pen repairs and a handful of pen shows…it was tough keeping up with these Drippy Musings.

I am very excited to say that I am now working full-time for myself at ThePenMarket.com. Good-bye, corporate America.  All the thanks goes to you, our customers, for helping me to live out a dream as a full-time pen entrepreneur!

The joy of the freedom of working for myself means that I can bring this blog up to speed. As such, it is time to thank “Pen World Magazine” for writing a story about my novel “Little Victories” in the December 2016 issue. With their permission to share it, here it is:

The 'Pen World Magazine' cover December 2016.

The ‘Pen World Magazine’ cover December 2016.

 

 

 

 

 

 

 

 

 

 

 

 

 

Alexandre Dumas: The Man & The Pen

Alexandre Dumas wrote some of the greatest novels in history. It is difficult not to love “The Three Musketeers,” “The Count of Monte Cristo” and “The Man in the Iron Mask.”

Alexandre Dumas is my favorite writer of the 19th century. Nobody comes close to his adventures, characters or ability to capture the human condition. If you spend any time with his most famous novels, all of his characters are easily recognizable as people you can identify with in modern times. That is the secret sauce that elevates his writing to a timeless status.

My love of his work started at the age of 13. I picked up “The Count of Monte Cristo” on a bit of a whim. Before I knew it, I was hooked. It was pure literary crack. In spite of its length, I could not put it down. The tragic tale of Edmond Dantes and his need for vengeance is still rivetting. I teach fencing classes to junior high and high school students. Every 4 years or so, as new batches of kids rotate into class, I give them an end-of-the-year gift of a copy, and those who read it…even the 12-year-old girls…all come back grateful for a read that rocks their world as much as any Harry Potter or “Hunger Games” novel. (The highest praise of youth today.)

And honestly, Dumas only gets better with age! If you only read his works as a youth, you NEED to revisit them. Since turning 30 more than a decade ago, I’ve made a concious effort to reread at least one of his novels every year. There is soooo much more depth and realism that I missed my first time through as a teenager.

Here’s a small selection of my books by Alexandre Dumas featuring early translations and modern reprintings.

“The Three Musketeers” take on an almost cartoonish quality in our modern pop culture, but to revisit them, you find a complicated story of love, sex, loyalty, honor, war and true friendship. The musketeers are ordinary men in extra-ordinary circumstances. Clever, hard working, mostly honest (you really can’t trust Aramis much), these are 4 fellows who know how to game the system and make the most of the life of warriors. Dumas first wrote the novel as a serial in newspapers in 1844. It took Paris, and then the world, by storm. He actually followed it up with 4 more books: “Twenty Years After,” “The Vicomte de Bragellone,” “Louise de la Valliere” and “The Man in the Iron Mask.” The last one is my absolute favorite, and its symbolic significance–no spoilers, I promise–completely held me in its grasp. Not only did it fully reveal the truths of all the main characters to me, it really helped me to make better sense of the world around me at the time I first read it. Pretty impressive for a novel that came out 170 years ago in 1847.

A new book of the Musketeer series called “The Red Sphinx” was just rediscovered. It was in serialization when Dumas died in 1870! Technically, it doesn’t have an end, but some of his notes divulge how it was to end. Although I have yet to read it, it is supposed to take place about 20 days after the original “The Three Musketeers” novel ended.

More than this, Dumas wrote 300 books! He also wrote many plays, newspaper, magazine and fictional short stories. Another of his most famous stories is “The Corsican Brothers.” Here nobel twins, who were separated at birth, can feel each other’s nervous systems and emotions from across great distances…eventually learning of their parents tragic murder and uniting to extract revenge.

I own and have read dozens of his lesser known works. Most of them are as good as his biggest hits. The real trick is finding good translations! For me, the tranlator helps to be from the late 19th century or early 20th century. They try to capture the English language of the time period in which Dumas was writing. This builds a rhythm and poetry that Dumas conveyed in the original French. Modern translations fail for me because they try too hard to make it sound like modern, American English language and times. It destroys the cadence of the language and the romance of the 1800s, as well as the eras in which Dumas was writing about.

These are 2 of three volumes that I own of the original source material of “The Three Musketeers.” These are “The Memoirs of D’Artagnan” in an early 20th century translation!

How big a junkie am I? I found an early 20th century translation of the 3-volume biography of the actual 4th musketeer D’Artagnan! I have yet to read it, but I can’t wait. It supposedly gave Dumas the inspiration for writing the adventures of the musketeers in his fictional masterpieces.

Dumas also was a fascinating man, even without his incredible skill as a writer. He was a biracial man born of a white mother and black father in 1802. His father was one of Napoleon’s top generals…until they had a falling out during the Egypt campaign. (Any number of historians thought that Napoleon’s not listening to Gen. Dumas was one of his greater blunders in Egypt.) Although his father died in exile, young Alex got to encounter Napoleon as Napoleon changed horses while beating a hasty retreat from Waterloo.

Alexandre started writing as a young man, primarily for the stage. His early plays were often political and controversial. (France was undergoing several revolutions during his lifetime.) He didn’t really find success until he wrote a play about Henri III. Historical fiction was practically his invention. (Shakespeare mastered it on the stage, but Dumas really developed it into an art form in novels.) With great success, came great loves and travel adventures of his own. Ultimately, no matter how much money he made, he spent far more. He died heavily in debt and fairly poor.

This is a 1996 Mont Blanc Writers Series Alexandre Dumas fountain pen with the wrong signature on the cap and box.

Mont Blanc wisely chose to honor him in 1996 with one of its early limited edition writers series pens. The pen was handsomely trimmed in classical French style accents, such as a fleur de lis on its nib. Collectors especially love this pen because it features a significant mistake on the part of Mont Blanc. The company’s early releases of the pen featured not Alexandre’s signature but the signature of his son, Alexandre Dumas fils, who famously wrote “Camille.” The company scrambled to recall these pens and replace them with the right signature. As such, the wrong signature pens are worth more than most of the other writers series pens.

Farewell, President Obama

After faithfully serving the country for 8 years, for better or worse, through thick and through thin, President Barack Obama hands the reins over to Donald Trump today. Judging by the uproar online and everywhere else, it will be a sadder day for some than others.

However, as we put aside politics for our shared love of pens, we noted earlier in his presidency that President Obama was signing bills into law with Cross Townsends. As we have noted the changes in presidential pens from Esterbrooks to Parkers to Cross pens, we to must acknowledge one last change in President Obama’s signing pens.

Some time during his second term we spotted this photo of him using a different Cross pen. These are the Cross Century II ballpoint pens in black lacquer with a sterling silver cap. It is a handsome pen and nicely weighted, while being a little thicker around the middle than the more common Cross Century pens each of us likely has two dozen of rattling around a desk drawer or shoe box.

With that observation, we wish the Obama family well and thank them for their service to our country … while wondering what pens President Donald Trump will use.

A 3-Month Ink-Fast Test

A gentleman at this year’s Chicago Pen Show showed me his very elaborate ink-fast test to see which of his inks could best withstand direct sunlight for an extended period of time. He tested dozens, if not more than 100 inks, to see how they looked new, at 3 months, at 6 months and a year.

As he said most of the damage was done to the ink within the first three months, I decided to try a 3-month ink-fast test on my 8 favorite inks.

8 inks testing day 1

Here are the fresh fountain pen inks on Day 1 of the trial before being placed in my sunniest window.

Hopefully the photos show the results. However, to clarify any difficulties due to all of the variations of computer screens, I shall describe the results, as well.

Lamy Green went from a bright kelly green a faded, almost camouflage green-grey.

Lamy Turquoise turned to a blue-black.

Monte Verde’s new blue fountain pen ink faired second to worst, turning from a nice medium blue to a light shade of grey.

Parker Blue-Black fared best, maintaining a strong dark color more black than blue.

Waterman Florida Blue turned medium grey.

Pelikan Edelstein Adventurine, which is almost a forest green, but not quite, turned turquoise.

Aurora Black Ink turned a medium to darkish brown. This made me wonder if Aurora put a touch of iron in its ink.

Inks after 90 days of sun

After 90 days in direct sunlight, all 8 inks faded. However, it appears that Parker Blue-Black ink held fastest and Yard-O-Led Royal Blue faded the most.

Yard-O-Led Royal Blue, which is an especially brilliant blue when fresh, fared worst and turned to a barely legible sky blue.

Although I had no idea how Waterman Florida Blue would deteriorate over the years, it has been my go-to ink since I discovered it in the 1990s. Now that they no longer make it and changed the formula to Parker’s slightly inferior blue Quink, I am on a quest for a new blue to love. I thought Yard-O-Led would be it, but now I have my doubts. A German friend has turned me on to Diamine Kensington Blue. We’ll have to see how that holds up to the sun.

When I know, I’ll be sure to share.

James Bond Has No Ordinary Mont Blanc

Between the ages of 7 and 10, I set out on a quest to watch every James Bond movie made up until that point. Over the course of several summers, I was in a state gadget and spy bliss. I’ve keep up with Agent 007 ever since then. When an opportunity too good to pass up arrived, I was able buy each of the Bond movies in a mega collection on Blu-ray this summer for an insanely cheap price.

Satisfying my inner 10 year old over the summer has been tons of fun. Bond has a history of awesome pens, but the easiest one to identify was a sterling silver Mont Blanc 146 Solitaire in the 1983 classic “Octopussy.”

Roger Moore plays Bond, and it is one of his better Bond films. Not as good as “The Spy Who Loved Me,” it is still better than most of his others. This time a fake Faberge egg leads to a ring of jewel thieves led by a mysterious Maud Adams in the title role. Yet, her backers are really using her as a cover for their own nefarious nuclear attack. Louis Jourdan (of “Gigi” fame) is the evil villain.

As the infinitely clever Q outfits Bond with his gadgets for the film, he hands him the sterling 146. Unlike a traditional fountain pen, it is loaded with a very potent acid instead of ink. The acid is strong enough to melt steel bars. Yet, it is mild enough not to eat through the plastic (oops, we mean “precious resin”) base of the fountain pen under the sterling silver. This is why Q gets paid the big bucks.

Spoiler alert: The pen comes in handy as Bond uses it to bust out of a prison cell in India.

The pen also holds an amplifier that allows Bond to hear conversations through walls. A very hand device for a super spy.

Mind you, I absolutely love Bond movies. But the big question I always have is simply, once the villain identifies Bond is, in fact, Bond and captures him, as he invariably will, why doesn’t he take all of Bond’s stuff. By now they always know that Bond is a super-star assassin/spy who kills every bad guy he comes into contact with. Why do they always–ALWAYS–fail to take his watch, pens and other possessions. Even the ones who used to be spies themselves always fail to thoroughly search him for every possibly possession.

Anyhow, the one really unique thing about this pen in “Octopussy” is that Mont Blanc fails to brand the pen. Instead of their traditional snow cap star, they put on a sterling topper. Mont Blanc even gets special thanks in the credits. It seems odd they wouldn’t want to take advantage of the Bond sales bump.

We have a sterling silver Mont Blanc 146 LeGrand fountain pen that is very similar to Bond's. Unfortunately, it only holds ink. DO NOT load it with acid!

We have a sterling silver Mont Blanc 146 LeGrand fountain pen that is very similar to Bond’s. Unfortunately, it only holds ink. DO NOT load it with acid!

We are more than happy to take advantage of it. We have one such sterling silver Mont Blanc 146 LeGrand fountain pen on our preowned luxury pens pages. It is in great working order and a helluva bargain compared to a new one.

My First Published Book: ‘Little Victories’

It was a dark and stormy decade, but I finally found a publisher for my novel, “Little Victories“!

The aptly named Last Chance Press released it today, which, coincidentally, is the 9th anniversary of ThePenMarket.com’s launch! I guess good things are meant to happen on August 5th. I should buy a lottery ticket.

Here's the front cover of my novel "Little Victories." It was beautifully drawn by Kim Kagarise and designed by Rhonda Jackson.

Here’s the front cover of my novel “Little Victories.” It was beautifully drawn by Kim Kagarise and designed by Rhonda Jackson.

My novel exposes the travesties and small successes of the American children’s mental healthcare system. From laws written to unintentionally benefit sex offenders and other abusers to spending cuts on social services, this story gives voice to the voiceless children across America who are being as abused by the bureaucracy as much as they are their tormentors.

Far from being a bleeding-heart crusade, it is a cold reality check that follows a year in the life of a mental health worker and the elementary school students she tries to help. The characters are fictional, as to write about real people would break confidentiality laws, but the events are events that happen every day in every community in the United States. I’ve spoken with scores of teachers, mental health workers, social workers and local child-protective agency employees. Specific wording of the various laws referenced in the book vary a little from state to state, but the core of the problems are the same in all 50 states. Experts in several states have read this and agree that I’ve nailed the heart of the problems while showcasing the lives most effected by them.

There are no long, dry political rants; this book just shows life as it really is from the points of view of the people most intimately involved in the system. It is a very fast-paced read that I hope keeps you turning the pages.

It is a hard-hitting book, which I hope goes a long way to help people, much like the Boston Globe’s unveiling of the Catholic Church’s child-sex scandal. That reporting only exposed problems in the priesthood. “Little Victories” sheds light on a far more wide-ranging national problem.

As depressing as it can be at times, I intentionally keep a steady stream of really dark humor running through the book. People working under that kind of pressure and duress keep their sanity via gallows humor, which I consciously included to pepper the dialogue and narrative as these employees would. It works much the way humor does in “Catch 22,” the classic Joseph Heller novel about World War II.

I would be hugely honored if you bought a copy of “Little Victories.” You can ask for it in any book store, and you can find it in print and on Kindle at Amazon.com. If you order it from Amazon, please, please, please write a review for it. If I can get enough reviews on Amazon, it will help tremendously to get the word out.

This wouldn’t be much of a blog post for a pen site, if I didn’t mention the pens I used to write this book.

When I started writing this book in early 2005, I was writing in my off hours when I was an editor at a newspaper. I needed some relief from the computer, so I opted to enjoy myself writing the 326-page rough draft longhand. I wrote with my entire–very limited collection–of fountain pens. I wrote the most with my late grandfather’s 1928 Sheaffer Lifetime (black and pearl), a gold Cross Townsend, a Cross Metropolis and a 1945 Parker Vacumatic Major in emerald pearl. I worked in a Rotring double-broad stub pen, too.

It is much easier to compose on a computer, and I probably won’t write another novel out longhand, first, but it was very cathartic to do it on this novel.

Please buy a copy of “Little Victories” and join the fight to help abused kids in your community. Thank you!

Still Hunting Parker Vac Desk Set Trumpet

While searching for the perfect matching desk base trumpets for his special Parker Vacumatic and radio desk set, Jaime A. found this great ad from 1936. We love these classic Vac desk sets from Parker. The 1930s might have been a miserable time to live, with the economy in the tank, but, man, they had style.

Check out these great desk sets Parker was offering in 1936. Imagine stumbling on a pen shop back in the day with those looking minty fresh.

Check out these great desk sets Parker was offering in 1936. Imagine stumbling on a pen shop back in the day with those looking minty fresh.

Fun Pen Repair Help

Not too long ago we were approached by a radio restoration expert named Jaime A. for help on his special 1938 Detrola radio desk set. One of the two Parker Vacumatic trumpets had broken and he needed a replacement. We just so happened to be lucky enough to have a replacement trumpet set.

Photo shows a 1938 Parker Vacumatic desk set that features a clock, weather station and Detrola radio.

A fully restored Detrola radio makes up the centerpiece of this nearly perfect Parker 1938 desk set!

The set fits perfectly, but he wants to get one of the rarer chrome-based, ribbed trumpets to better match what originally came with the set. He also wants matching Parker Vacumatic desk pens (or a matching pen and pencil for such a desk set.). If you can help him out, please reach out to us in the comments, and we will hook you guys up.

In the meantime, feast your eyes on this set. Jaime completely refinished the wood and stain, replaced the vacuum tubes in the radio and got the clock and weather station portions working. That’s a lighter in the center of the wooden base!

If any body has a chrome-base and ribbed Parker Vacumatic trumpet they would like to sell, please let us know so we can help Jaime A. finish the final touches on his Detrol Radio and Parker Vacumatic desk set.

If any body has a chrome-base and ribbed Parker Vacumatic trumpet they would like to sell, please let us know so we can help Jaime A. finish the final touches on his Detrol Radio and Parker Vacumatic desk set.

Clearly, those Sheaffers are not the original pens for the set. They are just temporary place holders until he can find the right set of Vacs.

Still, it is one of the rarest and most handsome desk sets we’ve ever seen!

Controversy in Chicago Part IV: Let’s Help the Veteran Vendors!

One of the things that surprised me most at the Chicago Pen Show discussion, in which some veteran vendors and rookie collectors had some difficulties seeing eye to eye on matters of collecting and navigating a pen show, was that several veteran vendors who are extremely well versed in the history and details about fountain pens seemed to know very little about the art of 0442 Sheaffer Admiralselling.

Several of their complaints about rookie collectors were misdirected. “Rookie pen collectors will ask a million questions and never buy anything.” “Rookie collectors only like modern pens/wet noodle nibs/etc.” “Rookie collectors take up too much space in front of my table during peak sales times.”

It isn’t the Rookie Collector’s fault for not buying or for asking questions. Clearly, the Rookie is interested in buying. It is the vendor’s fault for not “selling.” With a little sales training, these vendors can easily avoid these sales pitfalls, deliver excellent customer service and have rookie collectors coming back for more and better pens year after year!

Certain presidential candidates love to brag about the art of the deal, but I found I stumbled into the best sales training early in life. After college, I still didn’t know what I wanted to be…and I was already grown up. When a new car dealership opened near me, I applied just so I would have work and time to figure out my next move. I always loved cars, and I’m perfectly comfortable talking up total strangers. It was a great fit for a year, and I probably learned more practical skills at that job than I have at most of my other careers since.

0385 Mont Blanc SolitaireThe neat part about this dealership was that it was one of the first in the country to offer a return policy, a 6-month warranty on its vehicles and a no-pressure, no-haggle sales experience. Deprived of the tactics associated with used-care salesmen, we were given extensive training about no-pressure salesmanship. As we were still commission-based, we had to learn to quickly weed out the tire kickers from the buyers. Everything I learned at the dealership translates directly to pen sales.

Rule 1: Nobody comes to a pen show without the intent to buy pens. As you might only see 100 customers in a day, you must make the most of every opportunity you can to maximize your sales.

Rule 2: Ask questions. You know your merchandise way better than any of your customers. Don’t rely on them to just walk past, spot that one magical pen they want and buy it. Slow them down. Say hello and pepper them with questions.

If you know what to ask, you can sell a $500 pen in as few as two or three minutes and move on to the next customer, without skipping a beat. As I carry a mix of pens on my table, I usually ask this question first of anybody I don’t remember from a previous encounter: “So. What are you into today? Vintage or modern?”

0144 Parker 21I follow that up with, “Do you have a favorite brand or feature you like about vintage/modern pens?”

Or if they said modern, I ask, “Ballpoint, rollerball or fountain pen?”  If they say vintage, I’ll narrow it down to brands, nibs or filling systems.

Maybe that gets followed up with “What price point are you looking for?”

In less than a minute, I’m pointing out all of the pens that I have that they might be interested in. If I don’t have what they want, they’re moving on and I’m free to sell to the next person walking past. Otherwise, I’m maybe getting them interested in a pen they want or didn’t know that they wanted.

Rule 3: Explain why your pens are better. As I show them the pens in which they are interested, I quickly point out that I do and stand by all of my own restoration work. If I know I am particularly competitive on a certain price, I point it out.

Rule 4: Get the merchandise in their hands. I gently demonstrate the pen and how it works. I hand it over to the customer, while holding on to the cap. (People are way less likely to inadvertently wander off with a pen if they don’t have the cap or the barrel.) If I know of a flaw, I point it out. I let them dip the pen and write with it. I ask about the way it feels and maybe explain how to find the sweet spot on the nib. This builds trust, rapport and confidence in me as a seller.

0831NRule 5: Ask for the sale. If they’ve spent a few minutes touching the pen, loving it, writing with it and it seems like a potential winner, I ask for the sale. The price tags are on my pens, and I often just say something like, “So, what do you say? Do we have a deal?”

If I did my job correctly, the answer is yes. If not, I keep trying to fine-tune the search until they have a pen they do like.

Rule 6: If you don’t have the pen or type of pens they’re looking for, and you are in a peak sales period…politely say you don’t have it and move on to the next customer. However, always be closing, even when turning people away. “Listen, Mister, I’m only looking for Mont Blanc pens that are under $50. Do you have any?” “Sorry, Man. My Mont Blancs start at $150.” If the unrealistic buyer is dead set on $50, let them keep walking. But, if they’re really just looking for good prices on Mont Blanc, your answer might help direct them to your Mont Blanc pens. Either way, you are making room for the next person or lining up this person to buy something. It is a win-win situation.

If it is a slow day, you can maximize your sales opportunities by acting as an ambassador to whatever it is you have on your table.

I often get rookies who have never tried vintage pens or fountain pens in general. I take the opportunity to show them different filling systems, nibs or other features to familiarize them with vintage pens. I get them dipping and writing with several to see how they feel. I try to keep the pens I show off under $50. This way, they might be more inclined to try vintage if the price tag isn’t too steep and the experience was fun and enlightening. I also try to teach them what to look for regarding damage and other issues with vintage pens. Maybe only 30% to 40% of the people buy something after the lecture, but that is still great considering that these same people were about to walk by without saying a word to me.

0968 Good Service PenHopefully, this advice helps you while hosting your next table at a pen show. This is the final article in my “Controversy in Chicago” series, and I really hope that the whole series has helped rookie collectors and veteran vendors get to know each other and make the pen show experience a far more pleasurable and useful experience.

Best of luck at your next show! Have fun buying and selling!