Author Archives: Nathaniel Cerf

About Nathaniel Cerf

Nathaniel Cerf is the owner of ThePenMarket.com. He has been a fountain pen junkie since the age of 9, but his addiction got out of control around 2004, when he began to learn the art of fountain pen repair.

In addition to his pen activities, Nathaniel is a professional writer with a master’s degree in journalism from The University of Montana. A former Gannett newspaper editor, he has also been published in magazines as diverse as Montana Journalism Review, Nostalgia Digest, American Fencing (that’s swords not barb wire or picket) and True Confessions. His photography has appeared in the Chicago Tribune, Argus Leader and American Fencing.

The blogosphere knows Mr. Cerf from “The Hat Chronicals” at www.hats-plus.com, where he created and currently maintains a blog committed to fedoras, pork pies and the history of headwear. He also originated a movie review blog for DVDPlanet.com.

Nathaniel is currently shopping an expose novel he has written about the children’s mental health industry. (Yep, he has a bachelor’s degree in psychology, too.)

If that isn’t enough to keep him busy, he coaches and competes in fencing. He maintains a national rating in foil, but he also dabbles in epee. (That’s the weird sword crossword puzzles always use.) He also continues perfecting the formula for peanut butter and mustard sandwiches and Flaming Hot Orgasmic Tacos from Hell.

Treat Yourself as You Write Your Christmas Cards

With its striking greens and golden browns, this beautiful Parker Duofold fountain pen from 1941 would make an ideal pen for writing your Christmas cards. Not only does it look good, it is fully restored and has a very smooth fine-medium nib.

With its striking greens and golden browns, this beautiful Parker Duofold fountain pen from 1941 would make an ideal pen for writing your Christmas cards. Not only does it look good, it is fully restored and has a very smooth fine-medium nib.

I love writing Christmas cards. I don’t do group letters or holiday e-cards. I don’t care if you think it is hoaky. I love sitting down with some hot chocolate, my favorite holiday CDs and writing actual Christmas cards.

It is part of the holiday ritual that helps get me in the mood for the season’s festivities. It is a cathartic time to reflect on the past year and reconnect with my family and friends who are flung to the 4 corners of the map. For many of these people, this is the only time I hear from them…and they me.

The smell of vintage Sheaffer green ink for the cards and modern Parker red for the envelopes is heartwarming.

Plus, part of the ritual is selecting a new, or new-to-me, fountain pen to add to the collection and joyously write up each card and letter.

While it is way too early for me to buy the cards, let alone start writing them, this is the time I pick up my new or vintage pen. I’m already winnowing down my options…a restored Snorkel, a brand new Pelikan, or maybe that Cross Century II midnight pen with little pin-point stars that came out a couple years ago. The process of making that selection is half the fun.

Whether you are planning on sending out your first Christmas cards or 70th season’s worth of them, treat yourself to a new pen to make the most of your holiday writing experience with our more than 200 fully restored vintage pens and lightly used modern pens.

We Don’t Want No Fountain Pen Drama, Ladies

Despite the beautiful watercolor painting and classic 1930s fashion, this vintage pen ad is loaded with sexism that seems sure to guarantee the Lady Duofold never sold.

Despite the beautiful watercolor painting and classic 1930s fashion, this vintage pen ad is loaded with sexism that seems sure to guarantee the Lady Duofold never sold.

Seriously, how effective was this catty Parker Duofold ad from 1931?!

The ad headline reads like a movie synopsis for a cheap melodrama about a bunch of bitchy women who haven’t got much else to complain about in life. In case it is too small on your computer or mobile device it reads: “She laughingly apologized whenever she borrowed a pen, but she left a trail of ill will.”

It is hilarious for all of the wrong reasons.

The copy block only gets better…I mean worse:

“She had an ‘inexpensive’ pen, but it never seemed to work. In buying it, she thought she was saving money. But she only ran into people’s debt by borrowing pens.

“Because her request always met a courteous smile, she little suspected herself of being a nuisance.”

Is it any wonder Parker stopped making “Lady’s” pens not long after this ad came out in 1931?

As bad as the marketing was, the Lady Duofolds were and still are remarkably good pens. They write smoothly and are easy to maintain. We have a very nice one for sale, if you don’t mind a little discoloration. It still works perfectly. CLICK HERE to see this fully restored vintage pen.

Fountain Pen Ink 101

This is just an "inkling" of ThePenMarket.com's private collection of vintage and modern fountain pen ink. It includes Sanford ink, Sheaffer towers of ink, Carter's ink and Parker V-mail ink from WWII!

This is just an “inkling” of ThePenMarket.com’s private collection of vintage and modern fountain pen ink. It includes Sanford ink, Sheaffer towers of ink, Carter’s ink and Parker V-mail ink from WWII!

Many people ask me about ink and what they should use in their pens, and it is a great question.

The best rule of thumb is to never, ever use India ink. It has sediments that will clog your pen faster than a diet of Big Macs will clog your arteries. While these pens can be unclogged, it is often a time consuming mess that could potentially damage the pen.

Most of the major name brands make very reliable fountain pen inks that are specially designed to help clean your pen as you write. They might slowly clog your pen over time, especially if you routinely let the ink dry inside your pen. However, they are easier to unclog with a simple flush.

Brands such as Parker, Waterman, Sheaffer, Mont Blanc, Cross, Pelikan, Lamy, Aurora and other major pen makers are always safe bets.

Many modern pen lovers swear by a brand named Private Reserve. These specialty inks offer a zillion different colors that are truely vibrant and beautiful. My trouble with them is that they have always clogged my pens within one or two fills. Personally, I don’t feel they are worth the trouble. Other collectors I talk with insist they never have the trouble with clogging, but I am far from being alone with that issue.

Ink color should also play a role in your decision. Black, blue and blue-black are always safe choices. Red inks have a notorious past for more quickly rotting ink sacs. Even modern red ink shouldn’t be left to set in pens for very long. It is safe to use, but flush your pen when you are done with the ink. Other colors such as greens and purples have a checkered history of ruining ink sacs and pen seals if left in the pen for too long.

One of the many great myths about Mont Blanc pens is that they can only use Mont Blanc inks. The company line is that their inks are specially formulated to preserve and protect their fountain pens. That might very well be true, but most of the other major brand inks are just as safe. Mont Blanc just wants to cash in on their overpriced ink.

Can vintage pens use modern inks? Absolutely. That is virtually all I’ve ever used on my vintage pens.

Can you still use vintage inks on your modern and vintage pens? Certainly! Despite the fact it is a liquid, there are still huge reserves of fresh bottled ink from the 1920s up to present day. Most of the inks in the photo above are from the 1950s and ’60s, and they are still very nice. The #1 vintage ink you want to avoid is “Parker 51 Ink” or “Super Chrome” ink by Parker. It was designed for use in the Parker 51 pens that used latex/silicone ink sacs. The chemicals in the ink very quickly rot traditional rubber ink sacs, diaphragms and piston seals.

Vintage inks can go bad every now and again. When buying vintage ink, check it for “oil slicks,” stuff growing on or in the ink and color separation. Sometimes the old ink loses its pigmentations. Don’t use it if it has any of these issues.

One of my favorite hoaxes in history used vintage inks from the 1880s! In the 1990s, the supposed diary of Jack the Ripper was discovered in London. The diary was to have belonged to one James Maybrick who was never on the radar of “ripperologists.” The initial results on the paper and ink proved they were genuinely from the 1880s. Later tests realized that the diary had been written in the 1950s and cleverly tucked inside a wall of some old building or house, not to be discovered for another 40 years when new owners discovered it during a remodel. I think that makes the hoax all the better, as whoever perpetrated it was likely dead by the time it hit the book stands. That type of patience for a laugh deserves respect.

The Pens of Presidents Kennedy & Johnson

This collection of pens signed 50 iconic American laws into effect by President John F Kennedy and President Lyndon Baines Johnson from 1961 to 1967. It appears Esterbrooks and Parker 45 were the go-to pens of choice.

This collection of pens signed 50 iconic American laws into effect by President John F Kennedy and President Lyndon Baines Johnson from 1961 to 1967. It appears Esterbrooks and Parker 45 were the go-to pens of choice.

How’s this for the ultimate pen auction? 50 pens used by presidents John F. Kennedy and Lyndon B. Johnson to sign bills into law from 1961 to 1967!

Attentive reader Linda Greenstein sent me the link to this amazing pen collection.

The auction catalog descripes the pens thusly:
“A Golden Era in Legislative Achievement 1961-1967” (50) Pens that “were used to sign into law (50) landmark Bills enacted during the administrations of President John F. Kennedy and President Lyndon B. Johnson and were presented to Henry H. Wilson, Jr. in recognition of his efforts as their assistant for Congressional relations for the House of Representatives during these years.” Included are pens used to sign the 1961 Area Redevelopment Act, 1961 Expanded Space Program-Man on the Moon, 1961 Peace Corps, 1964 Civil Rights Act, 1965 Voting Rights Act, 1965 Establishment of Housing and Urban Development, 1965 Immigration Act, 1966 Establishment of the Department of Transportation etc.,etc.,etc. (1) 10 1/2 x 8 1/2 inch photograph of Henry H. Wilson, Jr., President of the Board of Trade with his collection of Presidential pens taken by Bob Kotalik on July 5, 1967 for the Chicago Sun Times which was printed on July 9, 1967. (Presented in toto within a framed shadow box annotating each pen)

Can you imagine owning one of the pens that signed the Civil Rights Act? Or NASA’s Moon Shot program? Or started the Peace Corps?

The starting bid is only $20,000.

What the catalog copy doesn’t mention are the fact Kennedy’s pens are Esterbrook dip writers, and that Johnson’s pens appear to be mostly Parker 45s with his signature imprinted on them. Both seem curiously economical choices.

The Esterbrook nib Kennedy used on the majority of these pens was the 2668. That is the firm-medium steel nib.

In the meantime, here’s the link to this auction.

Buy Museum-Quality Pens

Sleek black elegance is breath-taking in this seemingly new old stock Parker 17.

Sleek black elegance is breath-taking in this seemingly new old stock Parker 17.

In the past month or so, ThePenMarket.com has added many museum quality and/or new old stock pens to its vintage pens pages. These pens are not necessarily the go-to pens all collector’s feel as if they must have, but they are great pens at good prices that will round out any collection perfectly.

For example, there is an English-made Parker 17 that appears never to have been used. Its original aerometric filler is pristine.

Possibly used, you would be hard pressed to tell it with this near mint condition Esterbrook LJ series pen.

Possibly used, you would be hard pressed to tell it with this near mint condition Esterbrook LJ series pen.




We resaced a beautiful copper-colored Esterbrook LJ-1551, that was likely used, but it is in such good shape with so little wear, it will be a beautiful a display piece.

And then we come to our impecable Sheaffer Imperials. These cartridge-only fillers are beautiful pens, many in near mint condition. They will look great in a case, and they still work with modern Sheaffer ink cartridges. How do you not love those classic 14k gold inlaid nibs.

Often overlooked, what's wrong with the Sheaffer Imperial? It is a handsome modern design that is light weight and easy to use with that remarkable 14k inlaid gold nib.

Often overlooked, what’s wrong with the Sheaffer Imperial? It is a handsome modern design that is light weight and easy to use with that remarkable 14k inlaid gold nib.

Haunting at 715 S. Phillips Ave.

When I lived at 715 S. Phillips Avenue in Sioux Falls, S.D., there were all kinds of things that went bump in the night...and day. I'm not saying I believe in ghosts, but I'm at a loss for what to call what I experience...and I wasn't the only one.

When I lived at 715 S. Phillips Avenue in Sioux Falls, S.D., there were all kinds of things that went bump in the night…and day. I’m not saying I believe in ghosts, but I’m at a loss for what to call what I experienced…and I wasn’t the only one.

The desire to preface this story is strong. I am not the type of guy who believes the Virgin Mary is trying to make a connection by appearing in a grilled cheese sandwich. Jesus isn’t hiding in a Cheez-It cracker. I don’t even believe in ghosts…but I did experience some things that I do not understand.

While living in Sioux Falls, South Dakota, I rented a beautiful apartment in a converted mansion on a lushly tree-lined street. Just a block south of downtown and walking distance from work, it was across the street from a large park. The colonial mansion had been built in 1922, and it was converted into three apartments—two boxcar long apartments on the ground floor and a huge residence on the top floor.

My apartment was the ground floor one on the right side of the photo. The spacious front room got morning sunlight. My library was connected to the front living room. Halfway down the long narrow hall on the right was my bedroom, to the left a tiny bathroom with a remarkable claw-foot bathtub the size of an Olympic pool. There was a utility closet at the end of the hall on the left and the kitchen and dining room were in the far west end of the unit. Summer sunlight peeked through the dappled shadows of the leaves in the evenings.

The apartment was always warm and inviting. The doors and trim were rich, darkly stained wood. The floors were recently sanded and refinished maple. Oh, how you could slide down the hall in socks!

The only thing remotely foreboding about the place was an old dumbwaiter shaft that had been converted into a skylight. It was in the center of the hall. Frosted glass windows kept the neighbors from looking in, and we used the empty space to store boxes and such. An even creepier double-doored cabinet was beneath the dumbwaiter shaft. No doubt this was where its engine used to be. It was ripe for a good hidden passage or secret storage compartment perfect for hiding bodies or treasure. I explored it several times in daylight with a flashlight. There wasn’t a trick floorboard or any passage or bones. Disappointing as hell, but that doesn’t mean it didn’t give me the willies from time to time.

No one will tell you I lack an overactive imagination. However, I never even thought about that space in the apartment 99% of the time, and I lived there for 3 ½ years. Every now and again it just gave me the heebie jeebies.

I settled in quickly during the late spring of 2003. I worked until 1 a.m. at a newspaper and didn’t usually wind down for bed until 4 a.m.

Then one hot, humid summer morning around 10 a.m. I heard a gentle knocking at my front door. The only person this could have been was a delivery man, so I got up at my equivalent of 5 a.m. to answer.

No one was there. The knocking had only stopped when I was within feet of the door. I checked the hall, the stairs, the basement, the front porch, the sidewalk out front. Nothing. Nobody could have gotten away that quickly and silently.

Befuddled, I went back into my apartment and went back to bed. Just as I was falling back to sleep there was a violent pounding on my front door. A commanding voice called out “NATHANIEL.” The pounding continued until I reached the front door.

It didn’t take my adrenaline-fueled body 10 seconds to get from my bed to the pounding door.

No one was there. I searched high and low for this person. Nothing.

I wasn’t scared. I was confused and angry. Who was pounding on my door and calling my name? I am dead certain I didn’t imagine or dream it. All of my neighbors were at work. I had no idea who it could be, especially since I didn’t know anybody in town outside of work.

I went back to bed. As soon as I got under the covers, it got cold—really cold. I got back up and turned off the air conditioner. I was still really cold in bed. I don’t know if I heard something, but I suddenly had the feeling I was no longer alone in the apartment. Whoever it was was in the doorway of my bedroom watching me. I thought it was a burglar who just realized he had picked the wrong house.

My back was turned to the door, and I could’t see who it was. My inner 5-year-old wanted to just pull the blankets over my head and hope whoever it was went away. My adult self said, “Screw this. If someone is about to kill you, you might as well go down fighting.”

I spun and sprang out of bed, landing on my feet, squaring off to fight.

No one was there. I ran into my living room. It was icebox cold, but no one was there. The library, bathroom, dining room, kitchen and closets were empty.

The apartment went back to normal temperatures.

There was no going back to sleep, and it was a sunny beautiful morning. It wasn’t until I got done searching the place that I began thinking it was a ghost. Yet, the one thing I couldn’t fathom was, “Who ever heard of a daytime haunting?”

All summer I began noticing little things going awry. I saw movement out of the corner of my eye. I’d hear a voice in an empty room.

There were no angry poltergeists seeking revenge. There were no lethal traps. No spirit ill will. I usually dismissed these odd occurrences.

For example, I never thought twice about a knee-level cabinet door in my kitchen opening on its own. It was an 80-year-old house. If the cabinets were a little off from their heyday, I didn’t care. I just kept closing it every time I found it open. No biggie.

Well, one night off from work around 8 or 9 p.m., I made dinner and was about to sit down to watch a movie on T.V. When I had carried my dinner into the living room from the kitchen, the cabinet door had re-opened. I closed it, and went to go eat.

Just as I was settling into the couch, that cabinet door starts opening and slamming itself shut about half a dozen times. Then my hall light flickered.

Now I was scared.

My mind raced, trying to figure out how I should react, especially if something materialized before me. Having seen “The Sixth Sense,” I figured I’d try to talk to it.

“All right, Ghost. You’ve got my attention. What do you want?”

No response. Then it occurred to me. My ghost was simply a practical joker ghost. He or she just liked causing mischief to get a rise out of me. I started laughing.

“All right, Ghost. Very funny. You got me.”

I marched right down the hallway, showing no fear, and discovered the cabinet door was open once again. I looked inside for any messages or clues from the spirit world. Nada. No fishing line or any other devices, either. Just my kitchen stuff. I slammed the cabinet shut, and went back to eat and watch my movie.

I saw and heard less and less from my prankster ghost over the coming months and years. Every now and again, I’d see or hear something, but I’d just talk to it. “Feelin’ bored or lonely, eh?”

I never got a response other than fewer visitations.

Then one day a new group of college grads moved into the unit overhead. They threw a raucous party one night that was still raging after I got home from work. I went upstairs to tell them to shut it down for the night, when they invited me in for a beer.

Who was I to turn down a beer and a party with a lot of hot girls?

I worked my way out to the balcony with my beer, and one of the guys asked, “You ever see anything around here?”

He seemed sincere, but I didn’t want to be the kook who started spouting off about ghost stories.

“What do you mean? See what?”

“Oh,” he nervously dismissed me. “Nothing. It’s a stupid question. You’ll think I’m a nut job.”

I wryly smiled. “You mean the ghost?”

His face filled with wide-eyed wonderment, like a child’s.

“You’ve seen it,” he said. “Who is it?”

“No, unfortunately, I haven’t seen it. Have you?”

“Sorta,” he said. “But if you haven’t seen it, how do you know about it.”

When I got done telling him my stories, he was noticeably paler.

“Relax,” I said. “This ghost won’t harm you. It just gets a kick out of messin’ with you. So you actually saw it.”

“Just part of it,” he said. “There are 3 other guys living here, and a couple nights ago, they all went out drinking, but I stayed home because I had to get up early the next day for a meeting.

“It was really only around 11 o’clock when I went to bed. My bedroom door was open, and as I’m lying there still awake, I hear the front door to the apartment open. I shout out something like, ‘Hey, which one of you losers decided to call it a night early?’ But nobody answered.

“I hear footsteps coming down the hall, so I look out my door and only see a foot as they walked passed. They keep walkin’ down the hall, and I’m like, ‘Hey, didn’t you hear me.’ Still no answer. So I get out of bed, and now there’s no one in the hall. I went into every guy’s bedroom, the bathrooms and out on the balcony. Nobody was here but me.”

“Cool,” I said. “What did the foot look like?”

“That was even stranger,” he said. “It was barefooted. I mean, we’re not that far from the bars, but far enough you aren’t gonna leave your shoes some place. I was totally freaked out.”

Work brought me to Chicago not too long after that, and I never heard any more ghost stories from my neighbors, but I always loved my encounters with the unexplained at 715 S. Phillips Ave. in Sioux Falls, South Dakota.

My Battle with Snorkels Advances, Stymies

Two Snorkel filling units mock me from my work bench, as I try to sort out the final mysterious reasons they won't draw ink.

Two Snorkel filling units mock me from my work bench, as I try to sort out the final mysterious reasons they won’t draw ink.

For roughly 10 years, I have struggled to find a way to fix the beautiful and brilliant Sheaffer Snorkel. Years ago I saw a poll that asked pen collectors what they prefered: the Parker 51 or the Sheaffer Snorkel. I sided with the 25% that preferred the Snorkel.

Among other things, I am a clean freak. Snorkels are the most mess-free pens of the vintage era. The Parker 61 was/is mess-free, too, but it is static and just aborbs ink. There is no Rube Goldberg intricacy.

The Snorkel satisfies my need for cleanliness and order as well as my need for complicated and elaborate. When they work, they are wonderful pens.

However, in my effort to learn to restore these beautiful devils, I have littered the junkyard with the corpses of those steel filler units.

The reason there was a delay in updating this blog or the vintage pens in the past week was because I had made not one but two restoration breakthroughs with the Snorkel fountain pen. ONE: I finally found a way to remove the plug that holds the ink sac and seals the pneumatic casing without damaging anything. TWO: I found a way to insert a new ink sac and that plug back into said casing.

I already know how to restore the touchdown filler O-rings and assembly. I even know how to replace the Snorkel tube’s gasket between the nib and the section.

All done. Right! NO! Frustratingly, miserably no. I have an air leak or blockage somewhere that won’t allow the pen to fill. Whatever the problem is, I know it is a simple small easy little tweak that is likely staring right at me. I just don’t see it. That is all that is standing between me and finishing about a dozen classic Sheaffer Snorkels that are just dying for the opportunity to work again and be sold into loving homes that will use them and cherish them.

If you know the secret inner psychology of what it takes to fix a Snorkel, please let me know.

The Last Endorsement Deal Poets Got?

Could it be that this 1957 Parker ad featuring Carl Sandburg was the last time a living poet was paid to endorse a pen?

Could it be that this 1957 Parker ad featuring Carl Sandburg was the last time a living poet was paid to endorse a pen?

When was the last time you saw a poet getting the opportunity to endorse any luxury item?

This Parker ad from 1957 might be it. The legendary Carl Sandburg eyes a brand new Parker 61 and its mess-free filling mechanism in this classic ad.

You would think modern pen makers would be hitting poetry slams across America looking for popular writers to promote the use of their pens. You, unfortunately, are a logical person. We don’t even see best-selling authors getting endorsement deals for pens, computers or anything.

How did the people who famously use these tools the most get left out of the conversation. One would think that any brand of pen or laptop Stephen King, Nora Roberts or J.K. Rowling chose to promote would sell off the shelves.

Tell us: Aside from the Mont Blanc writer series (those writers are dead and have no say), when was the last time you saw a living poet…or any writer in a pen ad?

Parker Pens of WWII–Return of the Jedi

This modified Parker Duofold from around 1930 was used by French General de Lattre de Tassigny to sign the German surrender that ended World War II. The photo was given to us by the Musee de l' Armee in Paris. The twist of the story is that this is not the pen that started the whole story in the first place. Where is that Parker 51?

This modified Parker Duofold from around 1930 was used by French General de Lattre de Tassigny to sign the German surrender that ended World War II. The photo was given to us by the Musee de l’ Armee in Paris. The twist of the story is that this is not the pen that started the whole story in the first place. Where is that Parker 51?

They say the third time’s the charm, but I’m not buying it. Today I received a photo of General de Lattre de Tassigny’s Parker fountain pen from Musee de l’ Armee in Paris. It is this lovely 1930ish Parker Duofold with an aftermarket replacement clip.

This is not the vintage pen I saw in Paris! I am certain it was a Parker 51, which the museum claims not to have. To keep from boring you on the top story space, I’ve revised the revised version of the story below with all of the new details. Enjoy!

Learn from Vintage Pen Ads

Vintage pen ads tell us so much. They help us catalog what a company once offered, introduce us to new pens we want to collect and provide insights to the culture and economics of the past.

Vintage pen ads tell us so much. They help us catalog what a company once offered, introduce us to new pens we want to collect and provide insights to the culture and economics of the past.

I love old catalog ads such as this one because they go far to help me identify old pens, their sizes and their design alternatives.

I am forever stumbling upon hard rubber Waterman’s from the 19-teens and 1920s, and I am never quite certain which ones were given sterling silver or gold filigree by the factory or by a local jeweler plying his artistic talents to a basic black pen–as was a frequent occurance during that time.

These ads also help to establish various sizes of pen models and their original pricing. For example: The top pen in the ad comes with the exact same gold mounts in sizes 12 (small) through 16 (large). I now know how many pens I will have to hunt down and find if I want that same model in all sizes with those gold mounts.

After daydreaming for a minute, wishing I had a time machine to go back to the early 1920s to buy gold and silver pens for less than the price of a cocktail in downtown Chicago today, I have fun with the advertising copy.

This ad was very challenging to make in 1924ish. There were no computers or Indesign programs to pop it together. Intricate artwork, cutting, pasting and more went into this very expensive ad for its time. However, you can’t help but wonder who the copy editor was.

“Prices vary according to size of gold pen contained”…???

Even then wouldn’t it have been easier to say, “Prices vary by the amount of gold in each pen”?

I guess I can see why Sheaffer always beat out Waterman. According to our last ad post, Sheaffer pens come with a “cunning” box. Waterman’s pens only came with a “neat” box. Who wouldn’t prefer a pen box that can play chess and carry a conversation with wit?