Category Archives: Ink Reviews

Delving into Diamine Inks

It seems strange, even to me, that in spite of a lifetime using fountain pens, I had never previously gotten all that into inks. I used whatever was available, eventually falling in love with Waterman’s Florida Blue and Aurora’s black inks. And then Waterman went and discontinued Florida Blue. Sure, I bought up a bunch of it before it disappeared, but I found myself in ink crisis wanting to find something that I liked as much.

Witness the way sunlight fades fresh Diamine ink. The left writing sample spent 4 months in direct sunlight. The right writing sample is fresh out of the bottle. I was particularly impressed by the color, clarity and resistance to harsh UV rays.

Witness the way sunlight fades fresh Diamine ink. The left writing sample spent 4 months in direct sunlight. The right writing sample is fresh out of the bottle. I was particularly impressed by the color, clarity and resistance to harsh UV rays in the Diamine Ancient Copper ink.

This coincided nicely with a new generation of people exploring the wonders of many ink colors and brands! Now I have the bug, too. While still questing for my perfect Florida Blue replacement, I’ve been branching out trying new colors.

A penpal in Germany turned me on to the many wonders of Diamine last autumn. I picked out 4 colors to order and try on my own. I also performed an ink-fast test on them to see how they held up after spending 4 months in my window, during winter’s weaker light. Here are the results:

SHERWOOD GREEN: I’ve always loved Robin Hood stories, since I watched the Errol Flynn flick as a kid. Fresh on the page, it is a little darker and more yellow than I would have preferred, but it made a great ink for my Christmas cards last year. Given how dark and rich it is, I was surprised when it faded this much.

KENSINGTON BLUE: This is a beautiful dark blue with aqua accents in the shadowing, which you can’t see as well in this sample. Unfortunately, it suffers the same fate as many blues by fading too much over time.

PRUSSIAN BLUE: Given some German ancestry and an appreciation of their cheek-scarring fencing tactics, I had to try this ink. It is a good blue-black with some very nice shadow effects. As I am finding with other blue-blacks, it holds up a little better under the sun’s harsh rays.

ANCIENT COPPER: Hands down my favorite new ink of the past year! It’s rich, dark orange looks incredible when spread thin with a stub and then brought to a thick, darker clot when laid down thicker at the top or bottom of a loop. Its only downside is that it does seem to clog a bit in the pen over time. If I give my trusty Pelikan 800 a thorough flushing between refills, I have no troubles whatsoever. Best of all, it hardly fades at all, unlike my beautiful but fickle blues.

A 3-Month Ink-Fast Test

A gentleman at this year’s Chicago Pen Show showed me his very elaborate ink-fast test to see which of his inks could best withstand direct sunlight for an extended period of time. He tested dozens, if not more than 100 inks, to see how they looked new, at 3 months, at 6 months and a year.

As he said most of the damage was done to the ink within the first three months, I decided to try a 3-month ink-fast test on my 8 favorite inks.

8 inks testing day 1

Here are the fresh fountain pen inks on Day 1 of the trial before being placed in my sunniest window.

Hopefully the photos show the results. However, to clarify any difficulties due to all of the variations of computer screens, I shall describe the results, as well.

Lamy Green went from a bright kelly green a faded, almost camouflage green-grey.

Lamy Turquoise turned to a blue-black.

Monte Verde’s new blue fountain pen ink faired second to worst, turning from a nice medium blue to a light shade of grey.

Parker Blue-Black fared best, maintaining a strong dark color more black than blue.

Waterman Florida Blue turned medium grey.

Pelikan Edelstein Adventurine, which is almost a forest green, but not quite, turned turquoise.

Aurora Black Ink turned a medium to darkish brown. This made me wonder if Aurora put a touch of iron in its ink.

Inks after 90 days of sun

After 90 days in direct sunlight, all 8 inks faded. However, it appears that Parker Blue-Black ink held fastest and Yard-O-Led Royal Blue faded the most.

Yard-O-Led Royal Blue, which is an especially brilliant blue when fresh, fared worst and turned to a barely legible sky blue.

Although I had no idea how Waterman Florida Blue would deteriorate over the years, it has been my go-to ink since I discovered it in the 1990s. Now that they no longer make it and changed the formula to Parker’s slightly inferior blue Quink, I am on a quest for a new blue to love. I thought Yard-O-Led would be it, but now I have my doubts. A German friend has turned me on to Diamine Kensington Blue. We’ll have to see how that holds up to the sun.

When I know, I’ll be sure to share.

Testing Lamy Nibs & Inks

If you caught us at the Chicago Pen Show, then you saw our really fun Lamy nib-and-ink-testing station. It was a great opportunity to try each of Lamy’s 7 nib sizes used on their super-popular Safari, AL-Star and Studio pen models. Each of our pens was loaded with one of the 7 different ink colors Lamy sells in cartridges.

Check out the 7 standard nib sizes and ink colors put out by Lamy. These range from extra-fine nib to a 1.9mm stub! Blue-black ink gives the best shadowing in a Lamy pen. These nibs can be ordered for any Lamy Safari, Lamy AL-Star and Lamy Studio fountain pen.

Check out the 7 standard nib sizes and ink colors put out by Lamy. These range from an extra-fine nib to a 1.9mm stub! Blue-black ink gives the best shadowing in a Lamy pen. These nibs can be ordered for any Lamy Safari, Lamy AL-Star and Lamy Studio fountain pen.

This sample shows the nibs ranging extra fine, fine, medium, broad, 1.1mm, 1.5mm and 1.9mm. I think our most popular seller was the 1.5mm nib followed by the medium nib. Extra fine is popular these days, but so many write with a bit of feedback. Personally, I love the medium, 1.1mm and 1.5mm nibs. The stubs offer nice line variation at a very affordable price. In a Lamy Safari, they make great travel pens that can get beat-up or lost without inducing guilt. Plus, with a fancy stub nib, your postcards and journal will look great.

The broad nib is actually much juicier than the image makes it look.

Our most popular inks were purple and turquoise. Purple was no surprise, given the popularity of the new dark lilac Safari. Turquoise did surprise me. Men bought it in droves, and they typically stick to standard blues and blacks. Yet, I’ve been thinking of using it much more than in years past. It’s a nice color.

For folks who like the stub nibs, I highly recommend the blue-black ink by Lamy. As you can see, it offers the most shading. The black is more solidly black without as much shading as a Parker Quink or Pelikan. Green is a great color that seems underused.

We are thinking of making the Lamy nib and ink stations standard for any show we can drive to. Hopefully, we will see you soon. In the meantime, I hope this photo serves as a good indicator as to the qualities of these Lamy nibs and inks.

Yard-O-Led Ink Review

It isn’t often we get to see Yard-O-Led inks on this side of the puddle. Luckily for all, ThePenMarket.com now carries these fine bottled inks.

Check out the new bottled ink we carry. Yard-O-Led inks come in four colors: Jet Black, Blue, Blue/Black and Claret. Look closely to see great shading in the Jet Black and Blue/Black. The Blue and Claret are radiant wonders that are treat with which to write.

Check out the new bottled ink we carry. Yard-O-Led inks come in four colors: Jet Black, Blue, Blue/Black and Claret. Look closely to see great shading in the Jet Black and Blue/Black. The Blue and Claret are radiant wonders that are treat with which to write.

What struck me first about these inks were the radiance of the Blue (Royal Blue) and Claret (Fuchsia) inks. The blue is a washable ink and very bright. As I have only had it for a short time, I’m not sure how much it will fade over time, as many washable blues do. Nevertheless, I am enjoying its fresh blueness.

The Claret ink seems to be lively combination of hot pink, purple and red. While I expected it to be more of a rich, red wine color, I think it be very popular among the teenage girls who want to explore fountain pens with a more feminine color ink.

Traditional ink lovers will get a charge out of the beautiful shading delivered by the Jet Black and Blue/Black inks by Yard-O-Led. The Jet Black is more of a charcoal grey, and the wider the nib you use, the more distinctive the shadows become. The same can be said for the Blue/Black ink. Fine-point nibs lose the shading and concentrate the colors more.

Sanford Ink: A Brief History

If you troll the antique stores of America searching for great deals on vintage pens, you cannot help but come upon those seemingly ubiquitous small pressed glass ink bottles by Sanford. They have myriad colored caps. Maybe you run into the Sanford Pen It inkwells and towers.

The Sanford Ink Company is one of the oldest ink companies in the world that is still in operation. They made many colors of fountain pen inks since 1857, and they invented the Sharpie in 1964! This Sanford Ink display is a metal carousel that is most likely from the late 1940s or early 1950s.

The Sanford Ink Company is one of the oldest ink companies in the world that is still in operation. They made many colors of fountain pen inks since 1857, and they invented the Sharpie in 1964! This Sanford Ink display is a metal carousel that is most likely from the late 1940s or early 1950s.

The more I found, the more I asked: Who and what was the Sanford Ink Company? Why aren’t they still around? Did their ink perform so terribly that they went out of business…just not before making billions of bottles of ink to litter our antique malls?

My ignorance got the better of me a few months ago when I was asked to sell a display carousel of those little cubed 1oz ink bottles. It had close to a dozen different colors on an aluminum spinner that appeared to be straight out of the late 1940s or early 1950s. I finally had to breakdown and research the company if I had any prayer of selling this thing. It was perhaps my happiest discovery about the ink world this year.

Sanford inks didn’t suck. They are so good that they are still the bestselling in America today. They just don’t sell fountain pen ink any more. You will better know their universally famous product: the Sharpie Marker. With its nearly indestructible permanent black ink markers and other colors, Sharpie is in nearly every home and office.

The Sanford story is actually a very interesting one. Sanford dates all the way back to 1857, before the Civil War. They made ink and glue in Massachusetts before moving to Chicago in 1866, just 5 years before the great fire burned the city to the ground. Sanford actually survived the tragic fire only to be burned down by another blaze a very short while later. The company rebuilt and became one of America’s largest ink manufacturers and suppliers by the end of the Great Depression. The only ink company we know that has been in the game longer is Pelikan, which got its start in Hanover, Germany, in 1838.

The Sharpie marker can write on most any surface with a permanent ink. This older Sharpie still shows the Sanford coporate logo.

The Sharpie marker can write on most any surface with a permanent ink. This older Sharpie still shows the Sanford coporate logo.

The invention of the ballpoint pen during the 1940s spelled doom for the fountain pen (and ink) industry. By the 1960s, the Sanford Ink Company was looking to emerging markets to find a new product to keep the company afloat. The Sharpie marker was born in 1964—50 years ago this year! It could write on glass, paper, rocks, just about any surface. It was quickly endorsed by late night talk show comedians Johnny Carson and Jack Paar.

These days it is the “pen” of choice by many star athletes and performers for signing autographs on everything from footballs to glossy photos. Roughly 200 million markers are made every year, according to the Sharpie website.

In a bizarre twist of pen fate, Sanford was bought by Newell Rubbermaid in 1992. Newell Rubbermaid also owns the brands: Parker, Waterman and PaperMate. So, in a sense, Sanford has never fully left the fountain pen ink business. It is now owned by the same people who own what would have been some of Sanford’s greatest competitors 60 years ago.

Fountain Pen Ink 101

This is just an "inkling" of ThePenMarket.com's private collection of vintage and modern fountain pen ink. It includes Sanford ink, Sheaffer towers of ink, Carter's ink and Parker V-mail ink from WWII!

This is just an “inkling” of ThePenMarket.com’s private collection of vintage and modern fountain pen ink. It includes Sanford ink, Sheaffer towers of ink, Carter’s ink and Parker V-mail ink from WWII!

Many people ask me about ink and what they should use in their pens, and it is a great question.

The best rule of thumb is to never, ever use India ink. It has sediments that will clog your pen faster than a diet of Big Macs will clog your arteries. While these pens can be unclogged, it is often a time consuming mess that could potentially damage the pen.

Most of the major name brands make very reliable fountain pen inks that are specially designed to help clean your pen as you write. They might slowly clog your pen over time, especially if you routinely let the ink dry inside your pen. However, they are easier to unclog with a simple flush.

Brands such as Parker, Waterman, Sheaffer, Mont Blanc, Cross, Pelikan, Lamy, Aurora and other major pen makers are always safe bets.

Many modern pen lovers swear by a brand named Private Reserve. These specialty inks offer a zillion different colors that are truely vibrant and beautiful. My trouble with them is that they have always clogged my pens within one or two fills. Personally, I don’t feel they are worth the trouble. Other collectors I talk with insist they never have the trouble with clogging, but I am far from being alone with that issue.

Ink color should also play a role in your decision. Black, blue and blue-black are always safe choices. Red inks have a notorious past for more quickly rotting ink sacs. Even modern red ink shouldn’t be left to set in pens for very long. It is safe to use, but flush your pen when you are done with the ink. Other colors such as greens and purples have a checkered history of ruining ink sacs and pen seals if left in the pen for too long.

One of the many great myths about Mont Blanc pens is that they can only use Mont Blanc inks. The company line is that their inks are specially formulated to preserve and protect their fountain pens. That might very well be true, but most of the other major brand inks are just as safe. Mont Blanc just wants to cash in on their overpriced ink.

Can vintage pens use modern inks? Absolutely. That is virtually all I’ve ever used on my vintage pens.

Can you still use vintage inks on your modern and vintage pens? Certainly! Despite the fact it is a liquid, there are still huge reserves of fresh bottled ink from the 1920s up to present day. Most of the inks in the photo above are from the 1950s and ’60s, and they are still very nice. The #1 vintage ink you want to avoid is “Parker 51 Ink” or “Super Chrome” ink by Parker. It was designed for use in the Parker 51 pens that used latex/silicone ink sacs. The chemicals in the ink very quickly rot traditional rubber ink sacs, diaphragms and piston seals.

Vintage inks can go bad every now and again. When buying vintage ink, check it for “oil slicks,” stuff growing on or in the ink and color separation. Sometimes the old ink loses its pigmentations. Don’t use it if it has any of these issues.

One of my favorite hoaxes in history used vintage inks from the 1880s! In the 1990s, the supposed diary of Jack the Ripper was discovered in London. The diary was to have belonged to one James Maybrick who was never on the radar of “ripperologists.” The initial results on the paper and ink proved they were genuinely from the 1880s. Later tests realized that the diary had been written in the 1950s and cleverly tucked inside a wall of some old building or house, not to be discovered for another 40 years when new owners discovered it during a remodel. I think that makes the hoax all the better, as whoever perpetrated it was likely dead by the time it hit the book stands. That type of patience for a laugh deserves respect.