Fun with Refills

You can see a Pilot G2 refill next to a Pelikan standard rollerball refill in this photo. Look closely, and you can see that a G2 will fit most rollerball pens that take standard RB refils.

Quite possibly the most popular disposable pens on earth are Pilot G2 gel pens. They are so incredibly smooth and fluid for any type of ball-tipped writing device.

About a year ago, in an act of refill desperation, I was out of standard rollerball refills and trying ship out a pen I had just sold, in which I promised a fresh, working rollerball refill. That is when I noticed that I had some spare Pilot G2 refills lying around, which I had gotten and ignored from a large collection I had purchased.

On closer inspection, I realized that the two refills were close enough alike that a G2 might fit in the Waterman that needed it. Lo and behold, it did. It wrote magnificently! Pretty soon I was popping them into Auroras, Pelikans and every other rollerball that needed a similarly sized refill.

Not all pens take them easily. As you can see, this Pelikan replacement refill is a little longer than the G2. BUT, if it turns out the G2 is too short, just wad up a little tissue and fill the back end of the pen with it until the G2 fits and writes without any jiggling.

I like rollerball refills just fine, but none compare to a G2…for me…in the writing experience. I don’t see using regular rollerball refills, again.

Pen Books: Waterman Past & Present

Staring at a shelf full of pen books, it struck me that I ought to share with you some of what these great tomes have to offer. As such, I would like to start with a pen-collecting classic.

Here is the cover to “Waterman Past & Present,” a definitive guide to Waterman pens spanning 1883 to 1958. It is a great resource for identifying each model of Waterman pens.

“Waterman Past & Present: The First Six Decades” by authors Max Davis and Gary Lehrer.

If you are just getting into vintage pens and/or Waterman pens, this book is an absolute must. Most professional collectors and dealers I know still use this book as one of their favorite references to identify classic Waterman pens.

The book’s authors are among the most trusted dealers in vintage pens. Max Davis once owned a pen shop in New York City, before moving to Europe to start several very successful websites. According to the book, he contributes most of the European advertising for Waterman and most of the ink displayed in one chapter. The rest of the book was completed by renowned pen expert Gary Lehrer, whose personal Waterman collection was possibly second-to-none. He also created with his wife Myrna one of the most successful vintage pen catalogs online and in print. I had the good fortune to know Gary and Myrna on the pen show circuit, and I was very sorry to learn of Gary’s passing earlier this year. He was an honest, kind and hard working pen man who helped to build pen collecting into the hobby it is today. He also was an excellent pen repairman.

Published in 2008, “Waterman Past & Present” is a 236 page book. Hardbound and coffee-table book size, it sports full-color on almost all of its thick, quality paper pages. After a very brief history about Louis Edson Waterman and his pens from 1883 to 1958, there is very little writing in this book.

Instead, it is a feast of images from common Waterman pens to some of the only known remaining rare models. Most of the pen photos are printed at their actual size, with specific details called out to help differentiate between models that might look similar. Along with the photos of pens are clear, easy to read images of original Waterman catalog pages AND magazine advertisements. Additionally, many of the original bottles of Waterman ink are present.

The only thing missing from this book appears to be Waterman pencils. Some appear in the ads and catalog pages shown, but few are photographed or given much thought.

Nevertheless, this remains a phenomenal resource for identifying Waterman pens, and it is wonderful to be able to see real samples of some rare pens that you and I might never seen in real life.

Plenty of Good ‘Ink’

I am happy to announce that “Ink CT” magazine just profiled ThePenMarket.com and my friend and Master Penman Hong Nhat Nguyen, owner of Rose Art Creative, for a story about vintage pens and handwriting styles.

Publisher Jeff Lilly has given me permission to share PDFs of the story here, but he says you can read the print more easily on his magazine platform, which let’s you blow up the print to read it more easily: https://issuu.com/inkpublications/docs/ink_magazine_-_august_2022/20.

Special thanks also goes out to my pen-loving friend Brenda Miller for being a part of this story.

Iroshizuku Ink Gets UV & pH Tested

No one should be surprised by the meteoric rise of Iroshizuku inks on the fountain pen scene. Japan’s finest ink makers have created dozens of colors and hues that offer vibrancy and shadowing while never clogging a vintage or modern fountain pen.

We picked up 24 bottles of this amazing ink and have submitted them to our rigorous UV and pH testing. Each of the following inks was placed in one my sunniest windows between July 16, 2021 and October 16, 2021. We calibrated our pH meter and tested these inks at 75.6ºF at 50% humidity. As a quick reminder, on a pH test, 0 is the extreme limit for acidic, 7 is neutral and 14 is the extreme end of alkali or base. Click the individual photos for a closer look.

In many of our tests, blue inks tend to be very susceptible to UV light. Not Iroshizuku! Unfortunately, many of its other colors fade badly. The images certainly explain more than I can. Nevertheless, I love the peachy salmon of a late summer sunset that is Fuyu Gaki ink, and like a sunset it fades almost entirely. The nearly emerald green of Shin Ryoku turns turquoise. The blue-black Fuyu Syogun turned a light-fog grey. And the black Take Sumi stayed dark but turned dark brown.

When it comes to pH, these are simply raw data points. We do not know specifically how they interact with the chemistry of the ink sacs and piston parts of your pen. Most of these Japanese inks are on the shallow end of the base depth chart.

Color                        pH
Murasaki-Shikibu  8.1
Chiku Rin                 8.8
Shin Ryoku              8.4
Juro Jin                    9.0
Shin-Kai                   8.4
Asa Gao                    8.4
Fuku Gaki                8.6
Yu Yake                    8.5
Kosa Mosu               9.1
Momiji                      8.9
Tsutsuji                    8.7
Yamabudo               9.1
Syo-Ro
Ku-Jaku                    8.5
Tsuki-Yo                   8.5
Ama-Iro                    8.8
Fuyu Syogun           8.5
Kiri-Same                9.0
Kon-Peki                  8.7
Tsuyu-Kusa             8.7
Aji-Sai                      9.2
Tsu Kushi                9.0
Ina-ho                      9.0
Take Sumi               8.3

Happy Memorial Day

Norwich’s largest Civil War memorial can be found on the Chelsea Parade of the “Millionaires’ Triangle.”

Here in the United States it is Memorial Day. For many, it is the unofficial start of summer and a day off work and school to gather with family and friends for picnics and barbecues. The true intent of the day is to reflect on the lives lost defending the United States in times of war.

This is my first Memorial Day in Norwich, Connecticut, my new home. We are one of the oldest cities in the country dating back to 1659…founded 39 years after the Pilgrims landed just up the coast in Plymouth, Massachusetts. My walks are steeped in history. Native Americans and English settlers fought wars here against each other and against other tribes. This city was active in the American Revolution. The Sons of Liberty met at a tavern that still stands to discuss strategy and foment revolution. America’s great general and even greater traitor Benedict Arnold was born here. And, yes, George Washington once slept here.

The men of Norwich have been represented in all of our wars. The city’s greatest tributes go to the men of Norwich who fought in the American Civil War. Norwich was as Yankee as they come. Norwich began the process of outlawing slavery before America was a country in 1774. The city was a critical hub on the Underground Railroad. The city was surprisingly unified in abolitionism, and Abraham Lincoln even spoke here during his first presidential campaign. City Hall still has the banner from his visit preserved for all to see. There are at least three Civil War memorials in the city, commemorating the lives of Norwich men who served and/or died so that others could be free and the nation reunited.

Here lies a Union soldier who died a prisoner of war at the horrifying prison camp in Andersonville, Ga.

Our cemetery is the most poignant memorial, as you can visit the actual graves of some of those men who were transported home after their final battle and lain to rest. The most powerful tombstones are those of the 9 soldiers brought back from mass graves dug at Andersonville, Georgia. If you are not familiar with Andersonville, it was the prototype of a concentration camp 80 years before World War II. Run by a German immigrant for the Confederacy, tens of thousands of Union prisoners of war were trapped in a confined prison yard with no sanitation, barely any drinking water and even less food. Photos of the men who survived were walking skeletons, skin stretched tightly over their bones.

About 15 soldiers from Norwich were known to have died at Andersonville. Norwich sent a man to retrieve all of their bodies the minute the war officially ended. He discovered 10 and was able to return 9 to our graveyard. The 9 are in a circle surrounding a flag pole and parrot gun (rifled cannon used in the Civil War). Surrounding them are dozens, if not hundreds of Civil War veterans who lived through the war and chose to be buried with their comrades who perished decades earlier.

Given Norwich’s abolitionist history, it can be little doubted these soldiers were mostly intent on freeing the slaves. Perhaps some even wanted black Americans to have the same rights and equal standing as white Americans. It was not an uncommon idea among 19th century abolitionists. Others might have fought to restore the union and deal a blow to the “states’ rights” argument that didn’t start gaining a lot of traction until after many southern states had already seceded from the Union under a pro-slavery banner.

The Civil War ended 157 years ago, and, yet, issues of equality have not been resolved and “states’ rights” sentiments have grown strong–along with voter suppression efforts–in the past 22 years.

As I reflect on this Memorial Day about those who gave their life for this country, I especially wonder what the ghosts of Norwich’s Civil War veterans would have to say about our modern society that is actively roiling in the issues they might have thought they resolved with their sacrifices so long ago.

J. Herbin Ink Goes Under the Sun

French inks haven’t previously undergone our rigorous testing, and we were excited to give them a UV light-fast test and pH test. We purchased a small collection of a dozen different colors of J. Herbin.

We started this test on March 7, 2021, by placing a sample of 13 inks in our sunniest window.

We test these J. Herbin inks to see how well they can withstand UV light and to see where they rank on the ol’ pH meter.

Believe it or not, this was our first time writing with J. Herbin ink. What really struck us was the vibrancy of the dry ink on the page. Of the colors I liked best, Rose Cyclamen really pops with a purple-pink splendor. Dawn’s favorite color is the electric turquoise blue of Bleu Pervenche. Eclat de Saphir is a solid daily blue. And my new permanent addition to my daily writing is the Amber de Birmanie. It is an incredible orangy brown.

Unfortunately, 3 months of direct sunlight does not treat these inks well. All of the colors except the gold metallic ink bleach substantially in UV light. You can see the damage in the photo. Some of the really drastic changes include Rose Cyclamen turning bright, light bubble-gum pink; the blue-black Bleu Nuit turns a pale, faded purple and Violette Pensee disappears almost completely! Larmes de Cassis turns from purple to pink.

The following show the pH results for each ink. We actually had three different bottles of the Bleue Nuit, Orange Indien and Bleu Pervenche. The labels on the outside of the bottle were different, so we list these two inks by their label results, too. As a quick refresher in chemistry, a pH number of 0 is as acidic as a chemical can be. 7 is neutral, like pure water. And 14 is the maximum extreme of alkali/base.

Perle Noir                          7.6
Cafe des Iles                     3.4
Rose Cyclamen                4.1
Bleue Nuit                         4.0 (Green Label)
Bleue Nuit                         6.9 (White & Blue Label)
Orange Indien                  4.9 (Green Label)
Orange Indien                  6.9 (White & Blue Label)
Bleue Myosotis                 2.2
Rouge Fuchsia                 4.6
Bleu Pervenche                7.0 (White & Blue Label)
Bleu Pervenche                6.2 (Green Label)
Eclat de Saphir                 6.4
Violette Pensee                 4.4
Amber de Birmanie         5.8
Larmes de Cassis              7.1

Pen World: Defining Vintage Part 2

The sequel to my story in Pen World Magazine is now on news stands. Click each photo to read each page of the story. We have permission to reprint it here from Pen World editor Nicky Pessaroff. Be sure to subscribe to Pen World to read this and many other great stories about pens.

Click the image to better read the story.

Click the image to better read the story.

Click the image to better read the story.

Front Page News

News about ThePenMarket.com is spreading. I was lucky enough to be honored by a front-page feature in The Norwich Times! We’ve been featured before in “Pen World” magazine. However, I think this is our first time in a newspaper. Check it out: https://www.theday.com/local-news/20220406/norwich-resident-specializes-in-modern-vintage-pens

ThePenMarket.com makes good front page news in The Norwich Times. It is such an honor to get a nice write-up in the local paper.

How Do I Buy a Used Car?

Crocuses. Our first flowers of spring.

Spring is here, and, traditionally, this is a time many people start looking for a car. The Covid pandemic has limited the number of new cars on the market, and many people are turning to used cars to replace their set of wheels.

Buying a used car can be a stressful experience, especially now when used cars are selling at extremely high prices. As such, I thought I’d try to help you navigate these challenges.

I can already hear you. “Wait, Nathaniel. This is a pen blog. What do you know about used cars?”

As fate would have it, my first job out of college was as a salesman for a national chain of used car dealerships. Part of our training was to prove how our cars were better than other dealerships’ cars. And so, we were trained to spot damage in a used car and the possible ways other dealers might fleece people on financing. The following information has saved me and my friends a lot of money and heartache over the years. Hopefully, it will help you, too.

Knowledge is power, and it is best to power-up before you start shopping in earnest. If you know it is time to replace your old ride, start taking a closer look at the cars you see on your daily commute and in the parking lots you frequent to get an idea of what you like. Also keep in mind what you need the vehicle for. You might want a two-door Porsche, but if you have a family of five, you’re gonna need something bigger with trunk space. As we go into a new cycle of high gas prices, seriously consider what type of mileage this vehicle can get. As gas toys with $5-a-gallon, that bad-ass SUV you love that gets 12 miles per gallon might give way to a Toyota Prius that gets 40mpg. As you narrow in on a couple models that you like, research their common problems and pricing. Every car has a weak spot. For example: Subarus frequently have problems with their head gaskets. Chevy Cruze sedans are notorious for blowing out their original factory turbo-chargers. Check to see if these problems have been fixed in the car you ultimately buy. Most models of cars have a fan website where you can ask other owners about mechanical issues. Plus, Kelly Blue Book (kbb.com) has up-to-date pricing for every year, make and model of car at different mileage and trim levels. Don’t let old stereotypes hold you back. It used to be everyone thought American cars were untrustworthy and Japanese cars were built to last forever. Well, American quality control has gone up and Japanese quality control has seen a dip. It really is best to research the year, make, model and trim line you are interested in to make sure you are getting what you want.

Searching the internet makes it so much easier to locate a car you want. Google “used Honda Accords near (your zip code)” and you’ll likely get every Accord available in a 20 or 30-mile radius. This makes it easy to do some simple comparison shopping. Prices, mileage, colors, etc. Yet, there are many other variables to consider. A certified Ford F-150 from a Ford dealership might be a little more expensive, but it might also come with guarantees that “Crazy Bob’s Used Truck Emporium” might not have. Some dealerships guarantee that all of the maintenance is up to date and even give you a limited warranty to make sure all is as they promised. Others don’t. Get every dealer’s guarantee in writing before you take the plunge. Some smaller dealerships don’t offer any guarantees, but this does not automatically mean they are bad or untrustworthy. If you know what to look for, often you can save hundreds on a vehicle from a mom-and-pop dealership. BUUUUT, if the deal looks too good to be true, definitely take a closer look. Also check to see which dealers negotiate a price. Some certified places don’t negotiate and some do. Most smaller dealerships are all about negotiating.

Vehicle Identification Number. Every car has one, and they are always located on the driverside front dash under the windshield.

Once you’ve narrowed your list down to two or three vehicles, it is time to go see them in person. Bring any and all the notes you want with you, and bring something to take notes with. Used car salesmen certainly have a stereotypical reputation, but not everyone is like that. As a former car salesman, I humbly request you be respectful and courteous until they give you a reason not to be.

A visual inspection of the vehicle is critical. One of the ways to make a ton of money on a used car is to take a wreck for scrap metal pricing and make it look close to new for $2,000 to $5,000. As many used cars these days are selling for $15,000 to $20,000, it is easy to see the incentive to do this. Unfortunately, the safety features and structural integrity of the car are ruined, and another crash could easily kill its occupants.

Take notes on all of the chips in the paint (road rash), especially on the front bumper, grill and hood. Look for door dings, etc. It is illegal in many states to sell a car with a cracked windshield, so keep an eye open for that, too. That’s the easy stuff, and although you might be able to save a little money on the cosmetic damage, it might also be a good indicator that the car has never been in a serious wreck.

Run your finger over the seams between panels of your car’s exterior. Are they evenly spaced between panels? Is the paint smooth or bumpy?

Does the paint look uniform around the vehicle? In the right light (more often on a cloudy day), you can see where a couple doors on one side or the back bumper and trunk look a little lighter or darker than the rest of the car. If you can see three or more connected discolored panels, odds are good the car was in a serious wreck. Run your fingers along the seams between all of the exterior panels of the car. Does the seam get wide then narrow or vice versa? Seams from a factory-fresh car are uniform and don’t get narrow or wide at points. Non-uniform seams are an indicator that the panels have been removed and/or replaced and put back together. ALSO, as you run your finger over every seam, does the paint start to feel bumpy or lumpy. This is another great indicator that the panel was repainted. A factory paint job is universally smooth and perfect—no bumps or lumps.

Open all of the doors, hood and trunk at once. On every compartment of the vehicle there should be factory installed stickers with the V.I.N. (Vehicle Identification Number). Technically, a body shop should order and replace those stickers after a repair job, but virtually none of them do. If vehicle stickers are missing, then the odds are good that panel was replaced…an indicator of a car crash.

Regarding VIN numbers, many dealerships now give VIN reports to let you know if the car was ever listed as stolen, in an accident, in a flood or otherwise seriously damaged. Unfortunately, a clean VIN report does not guarantee the vehicle has never been in an accident. Although most states legally mandate body shops report serious damage on a VIN, many shops never report the damage to the state. You also can use the VIN to check the maintenance records. Say you are at Murphy van Mufflerson’s Used Car Lot and are looking at a Jeep. You can write down the Jeep’s VIN and then call a local Jeep dealer for the maintenance records. If Jeep/Chrysler serviced the vehicle, it will have all of the records of the service and recalls it performed on the vehicle anywhere in the country.

You can see the paint on all sides of the hood and along the panels matches. Plus, you can see the stickers are present and the welds are small and smooth. Plus, there are no leaks visible in the engine.

Also look to see if the paint on the outside of the panel matches the inside. If it doesn’t match, the panel was repainted at the very least. For example, a replacement hood might look like your car’s color on top but black or a different color underneath. A factory-original hood is painted the same color uniformly on top and bottom.

Another important thing to look for are the welds. Factory welds are very small, clean and precise. Sometimes a body shop will leave huge messy welds to fill holes or reattach badly mangled and straightened parts.

One last thing to look for are the bolts that hold the vehicle together. There is no reason the bolts should ever be undone for routine maintenance. If you can see where the bolt has stripped the paint from two panel pieces it is holding together and is maybe wearing through the metal, that is a clear sign of a problem and a likely indicator that those panels had to be removed to fix something from an accident. Even if a car is 40 or 50 years old, those bolts should be still be in place from when it was first built.

How are the tires? You should have enough tread that if you stick a penny head-first in the tread lines. Lincoln’s head should start to be covered by the remaining rubber of the tire. If his head is completely visible while in the tread, the tire is bald and needs to be replaced. Also look to see if one side of the tire is more worn on one side or in the middle. At the least, heavy wear on one side of a tire means the car is out of alignment. Yet, it could be an indicator that frame is bent or there is some other problem. Usually, the car just needs an alignment, but it is important to know for the future health and wellbeing of the vehicle.

This is a new tire with deep tread, but you should always check to see if there is enough tread and even wear on the tire on your own car, as well as one you are looking to buy.

If you don’t mind getting dirty, get on the ground and look at the frame of the vehicle. If a frame was badly bent and then straightened, you will see big clamp or teeth marks in the frame rails near the tires. They won’t look natural to the construction of the vehicle. If you see these, stop what you are doing and do not buy the car. Every manufacturer designs a frame to have various tolerances for safety in a collision. If a frame is bent and then straightened, the metal fatigue in the frame guarantees the car will not be safe if you get in an accident. The metal fatigue also can create other problems in the wear and operation of the vehicle.

If you like what you see so far, it is time to take a closer look at the interior. Start with the trunk and pull up all of the carpeting in the trunk until you can see bare metal. Look for bad welds, but also look for mud, leaves and water damage. Smell for mold. It is illegal to sell a flood damaged vehicle in most states, but every hurricane season and flood season still finds flooded out cars heading to markets in other states. Most people who sell flood-damaged cars are good about cleaning all of the upholstery and engine compartment, but they frequently overlook the trunk compartment under the carpeting. If flood water gets into a vehicle’s engine, the engine will be shot within short order.

While you are in the trunk, check the spare tire, assuming this car still comes with a spare tire and jack, or for the tire repair kit.

Sit in all of the seats to see how the car feels for every passenger and play with all of the features in every seat position. It is better to find out before you buy the car that everything is working as it should. Sometimes things get overlooked at even the certified used car dealers and they’ll fix the problem before you buy the vehicle. Broken features also help you reduce the price for dealers that don’t fix the broken things.

Close up the vehicle, sit in the driver seat and make sure everything works. Even if it is a 100-degree day, turn on the heater to make sure it is working. Do the same in winter for the air conditioning. You can hear the condenser motor turn on, even if you can’t feel the difference between the cold air outside and inside. Check the radio and speakers, but don’t leave them on.

When you take a test drive, make sure the radio is off, so you can listen for any and all problems. Roll the windows up, at least for a little while, to just listen as you drive. You can even politely ask the salesperson with you to be quiet for a minute. Have any rattles or not-normal sounds checked out.

Even check the inner door jamb for stickers and matching paint.

Even if a car sits unused for as little as a week, the brakes start rusting. This is okay. At the start of the drive, braking might sound pretty awful. Don’t worry about that. However, if the sound doesn’t go away in 5 or 10 minutes worth of driving, the car might need new brakes. It would be worth having them checked by a technician before buying the car.

As I am not a mechanic, I don’t know what to tell you to look for on the engine and transmission. When the hood was up, if you see an obvious leak, that is a bad sign. Otherwise, it is always wise to have your trusted mechanic give the car an inspection just to make sure all of the systems are in good shape. Most mechanics will offer this type of service for $50 to $100. Yet, a long-time family mechanic will often do this for free if he or she knows you well and knows you’ll be bringing them the car for maintenance over the years.

Are you ready to buy?

Your pricing research from earlier will help immensely. If you can point to a website with accurate pricing for exactly what you’re looking for, it is hard for the dealership to argue with that price. Use your notes about the cosmetic flaws or defects you want repaired to help you. There’s a little grey area depending on what extra features their car might have or their service might account for in terms of maintenance and warranty, but you should be able to hold them to a competitive price or walk away from the deal. When you start to walk away, count in your head how long it takes for the salesperson or their manager to come running after you. If your idea for a price is in the ballpark, they won’t let you get far.

Yet, even after you’ve agreed to a price, you aren’t free and clear, yet.

If you have a trade-in, be ready to negotiate that price as well. You can get the most out of your old car by selling it yourself, but most of us don’t want to deal with the hassle. Kelly Blue Book has a helpful tool to let you know the reasonable trade-in values for your old vehicle compared to the retail values.

If you have to finance the vehicle, it is important to know your credit rating going into the deal. Dealerships don’t just make money on the vehicle. They also make money on the financing. When the salesperson hands you off to the finance person, the finance guy gets paid bonuses by how high a percentage rate he (or she) thinks he can get out of you. Used cars have loan rates that are higher than new cars no matter who you go to. The best rates typically go to people who are in credit unions. Check your credit union or bank’s rates for a used car loan before you get a rate from the dealer. If you have good credit, and the bank thinks it can get you a 5.9% interest rate, take that information with you to the dealership.

Once you have the trade-in figured out, the finance person will put your info in the system and come back to you within seconds with a loan offer. Often they don’t share their screen with all of the loan offers with you. Usually they have a screen/computer in a separate back office they must consult. If you have good credit, maybe you’ll hear this: “Great news! You’re approved! We can get you in a 7.9% loan with a payment of $250 a month for 60 months.”

This is where the slope gets especially slippery. Loan rates go down depending on how much you borrow over a shorter amount of time. Finance people try to rope you into a payment amount more than an interest rate. If you want a $75 a month car payment, they’ll gladly sell you a loan with a 25% interest rate spread over 1,200 months. You think you’re getting a great deal because the monthly payment is so low, but you’re paying 25% interest over the next 100 years.

As used cars likely won’t live forever, you want to keep your repayment plan as short as you can afford. Plus, the shorter you go, the lower the interest will be. If you can afford a monthly payment that pays off the vehicle in 24 months or 36 months, that’s ideal.

If you know your credit rating, you can laugh at the higher interest rate and show the finance person your offer from your own bank. Sometimes you can play the two off each other. “If you can beat a 5.9% interest rate on a 36-month loan, you’ve got a deal.” Then they go back to their back room and see what they can work out. Maybe they had a 4.9% interest rate all along they could sell you. Maybe they can’t beat your bank’s rate. It’s often a 50/50 split whether a dealer can beat your financial institution. However, the finance person doesn’t make his or her bonus if he or she can’t get you into one of their loans, and they’ll move mountains to try to get you as good a deal if not better…BUT, you have to know your credit rating and bank’s rates first. Otherwise, you’re at their mercy.

There’s one last thing to keep in mind with buying a used car: an extended warranty. It is really worth reading the fine print of a dealership’s extended warranty offer. Cars that are only a year or two old sometimes still come with their original factory warranty. And most manufacturers now offer more than the old standard 3 years/36,000 miles, whichever comes first. Most manufacturers are offering up to 10 years/100,000 on the powertrain (engine/transmission). The trick is you only still get 3 years/36k miles for all the other systems. If a dealership’s used car extended warranty offers comprehensive coverage of parts and labor anywhere in the country, it might be worth it if the car is near the end of its factory warranty and you plan to keep it for a while. Yet, if the list of parts and systems not covered is longer than the list of things covered, or you only plan to keep the car for a year or two, it is likely a waste of money.

A Potpourri of Ink Tests

As we have been conducting our ink tests, we ran into a grouping of mostly orphaned bottles that wouldn’t make for a very big story individually. So we tested them together and got them all on one page.

The ink proof sheet is on the left and the UV tested inks are on the right. Click the image above to get a better look at the ink tests.

This batch of inks was given a UV light fast test in our sunniest window from March 7, 2021, to June 7, 2021. We also tested the pH levels of the inks to see just how neutral they are. The following is all raw data that we thought you might find interesting. As we do not know the chemical composition of each ink or ink sac/converter it might go into, a pH neutral ink does not guarantee it won’t have a bad chemical reaction inside your pen. We have a professional pH tester, which we calibrated just before testing these inks. As a quick chemistry refresher, a pH of 7 is neutral like distilled water. The closer you get to 0, the more acidic the ink is. The closer you get to 14, the more alkali/base the ink is.

Surprises are the most enjoyable parts of these tests. Blues remain entirely unpredictable. One of my all-time favorite blues is Parker Penman Sapphire. Instead of fading out like most blues, it turned purple! Visconti blue fades out when thinly applied, but the thicker lines create a majestic blue-black that is even prettier than the original blue. Colorverse Quasar turned from a rich blue to a light red-purple. Omas blue did what most blues do and faded heavily. Acidity didn’t seem to effect which brands faded and didn’t. Omas was the most acidic blue at 2.3, and Colorverse was the most neutral at 7.9. Both underwent dramatic changes.

There were subtle changes in some of the inks. Visconti’s black turned a dark brown in the sunlight.

Purples fared poorly. Visconti Purple turned a pale pink. Vintage 1960s’ Waterman’s Violet almost completely disappeared. Pelikan Violet held on kinda, turning a deep reddish pink.

Waterman’s Red and Omas’ Red/Burgundy held up best. Neither seemed very effected by the sun. Also interesting was that Omas’ ink was also almost pH neutral at 7.2. We are often warned red can be the most dangerous color to put in a fountain pen. If it is pH neutral, I wonder what chemical reactions happen when it is inside a pen.

We had never previously heard of Francesco Rubinato inks before, but we loved the “Verde” green ink that was somewhere between “Shamrock Shake” and “Kelly Green.” Unfortunately, it turns into a bile-like yellow green with UV exposure.

An OLD bottle of Rotring Red was a very curious color. It was more of a brick red with a hint of orange. Was that because it was already discolored and UV exposed or was Rotring red really like that? Either way, UV didn’t effect the dry ink on the page.

The only color not yet mentioned is the Francesco Rubinato Oro (gold). This is a goupy, heavily sedimented ink filled with gold-glitter. We DO NOT recommend it for fountain pens. It is ONLY GOOD for DIP PENS. Anyhow, UV light didn’t effect it at all, and because we didn’t want to ruin our pH tester, we didn’t check its pH level, either.

Here is the table of our pH results:

Visconti Black…………………………..4.2
Visconti Blue……………………………3.9
Visconti Purple…………………………3.2
Parker Penman Sapphire…………..5.3
Francesco Rubinato Verde…………4.1
Omas Red/Burg………………………..7.2
Omas Blue……………………………….2.3
Rotring Brick Red…………………….8.5
Waterman (1960s) Violet………….3.9
Waterman Red………………………..5.9
Colorverse Quasar…………………….7.9