Tag Archives: ink fast test

Iroshizuku Ink Gets UV & pH Tested

No one should be surprised by the meteoric rise of Iroshizuku inks on the fountain pen scene. Japan’s finest ink makers have created dozens of colors and hues that offer vibrancy and shadowing while never clogging a vintage or modern fountain pen.

We picked up 24 bottles of this amazing ink and have submitted them to our rigorous UV and pH testing. Each of the following inks was placed in one my sunniest windows between July 16, 2021 and October 16, 2021. We calibrated our pH meter and tested these inks at 75.6ºF at 50% humidity. As a quick reminder, on a pH test, 0 is the extreme limit for acidic, 7 is neutral and 14 is the extreme end of alkali or base. Click the individual photos for a closer look.

In many of our tests, blue inks tend to be very susceptible to UV light. Not Iroshizuku! Unfortunately, many of its other colors fade badly. The images certainly explain more than I can. Nevertheless, I love the peachy salmon of a late summer sunset that is Fuyu Gaki ink, and like a sunset it fades almost entirely. The nearly emerald green of Shin Ryoku turns turquoise. The blue-black Fuyu Syogun turned a light-fog grey. And the black Take Sumi stayed dark but turned dark brown.

When it comes to pH, these are simply raw data points. We do not know specifically how they interact with the chemistry of the ink sacs and piston parts of your pen. Most of these Japanese inks are on the shallow end of the base depth chart.

Color                        pH
Murasaki-Shikibu  8.1
Chiku Rin                 8.8
Shin Ryoku              8.4
Juro Jin                    9.0
Shin-Kai                   8.4
Asa Gao                    8.4
Fuku Gaki                8.6
Yu Yake                    8.5
Kosa Mosu               9.1
Momiji                      8.9
Tsutsuji                    8.7
Yamabudo               9.1
Syo-Ro
Ku-Jaku                    8.5
Tsuki-Yo                   8.5
Ama-Iro                    8.8
Fuyu Syogun           8.5
Kiri-Same                9.0
Kon-Peki                  8.7
Tsuyu-Kusa             8.7
Aji-Sai                      9.2
Tsu Kushi                9.0
Ina-ho                      9.0
Take Sumi               8.3

J. Herbin Ink Goes Under the Sun

French inks haven’t previously undergone our rigorous testing, and we were excited to give them a UV light-fast test and pH test. We purchased a small collection of a dozen different colors of J. Herbin.

We started this test on March 7, 2021, by placing a sample of 13 inks in our sunniest window.

We test these J. Herbin inks to see how well they can withstand UV light and to see where they rank on the ol’ pH meter.

Believe it or not, this was our first time writing with J. Herbin ink. What really struck us was the vibrancy of the dry ink on the page. Of the colors I liked best, Rose Cyclamen really pops with a purple-pink splendor. Dawn’s favorite color is the electric turquoise blue of Bleu Pervenche. Eclat de Saphir is a solid daily blue. And my new permanent addition to my daily writing is the Amber de Birmanie. It is an incredible orangy brown.

Unfortunately, 3 months of direct sunlight does not treat these inks well. All of the colors except the gold metallic ink bleach substantially in UV light. You can see the damage in the photo. Some of the really drastic changes include Rose Cyclamen turning bright, light bubble-gum pink; the blue-black Bleu Nuit turns a pale, faded purple and Violette Pensee disappears almost completely! Larmes de Cassis turns from purple to pink.

The following show the pH results for each ink. We actually had three different bottles of the Bleue Nuit, Orange Indien and Bleu Pervenche. The labels on the outside of the bottle were different, so we list these two inks by their label results, too. As a quick refresher in chemistry, a pH number of 0 is as acidic as a chemical can be. 7 is neutral, like pure water. And 14 is the maximum extreme of alkali/base.

Perle Noir                          7.6
Cafe des Iles                     3.4
Rose Cyclamen                4.1
Bleue Nuit                         4.0 (Green Label)
Bleue Nuit                         6.9 (White & Blue Label)
Orange Indien                  4.9 (Green Label)
Orange Indien                  6.9 (White & Blue Label)
Bleue Myosotis                 2.2
Rouge Fuchsia                 4.6
Bleu Pervenche                7.0 (White & Blue Label)
Bleu Pervenche                6.2 (Green Label)
Eclat de Saphir                 6.4
Violette Pensee                 4.4
Amber de Birmanie         5.8
Larmes de Cassis              7.1

Levenger’s Ink Kicks Ass!

Mathematical and computer genius Alan Turing famously said, “Sometimes it is the people who no one imagines anything of who do the things no one can imagine.” In addition to being one of my all-time favorite quotes about people, it seems to apply to the world of fountain pen inks, too.

Here is a side-by-side comparison of Levenger’s ink left in the sun for 3 months and the proof sample saved in the dark.

Ink collectors today understandably go ga-ga for Iroshizuku, Diamine, ColorVerse, J. Herbin, Noodlers and many other brands. Yet, often overlooked, is Levenger’s Ink. In many respects, Levenger’s kicked off the ink-color craze a decade or two before our current manufacturers and spectrum were readily available. Levenger’s has had scores of inks of every hue available since some time in the 1990s. Better yet, they are far more affordable than the competition.

Nevertheless, I kinda blew them off…until I stumbled into a large collection for sale. When Dawn and I started testing them for UV light fastness and pH balance, we were blown away.

We started testing 17 colors in March. From March 7, 2021, through June 7, 2021, we hung these samples in the sunniest window of our house. Afterward, we tested the ink still in the bottles with a pH meter calibrated to 21ºC.

Here is a side-by-side image of Levenger’s inks left in the sun for 3 months and the sample proof left in the dark.

Without a doubt, these are the most consistently light-fast inks we have tested to date. Even the worst-hit inks were still very close to their original colors. Blue Bahama likely lost the most vibrancy, but it is still easily read and distinguished. Cardinal Red faded to a rich pink, but it is still quite legible. Raven Black, Gemstone Green and Greystoke got DARKER in the sun!

Given the great results from the light-fast testing, we feared the worst with the pH tests. BUT! We were only further dazzled. Many of the inks were very close to neutral, and none of the inks veered off the spectrum of acidic or alkali.

As a basic chemistry refresher, 7 in a pH test is neutral. Distilled water is 7. The closer to 0 you go, the more acidic something is. In the opposite direction going up to 14 is more base or alkali. In theory, you don’t want an acid or a base sitting in your ink sac for too long. Yet, one thing we always like to remind people is that regardless of what the pH result is, we do not know the chemistry of the ink nor how it interacts with your rubber ink sacs, celluloids or converters and the like. Depending on the chemical reaction between the ink and what it is resting in, a neutral ink can do damage and an acidic ink might be safe. The pH measurement is simply a data point we find fascinating, but it doesn’t necessarily indicate which inks are safest for your pens. With that in mind, here are our Levenger pH results:

Ink Color              pH Measurement
True Teal                        7.1
Empyrean                      6.8
Blue Bahama                 6.6
Skies of Blue                 7.3
Cobalt Blue                   8.0
Regal                             7.2
Amethyst                      8.4
Raven Black                 8.3
Claret                            8.7
Pomegranate               8.3
Shiraz                           8.7
Cardinal Red               6.8
Blazing Sunset            6.7
Cocoa                           7.3
Forest                           7.1
Gemstone Green        7.2
Greystoke                    7.4

As always, I hope you find this information to be interesting and enjoyable.

Strong Enough for a Man; pH Balanced for a Fountain Pen?

One of the many great aspects of marrying a scientist is the gadgetry. Intrigued by my ink-fast tests  with UV light, Dawn decided to get a professional pH meter to test our ink for corrosiveness. If you remember basic chemistry from high school…which I barely do…you will remember that we have acid on one side of a scale and base/alkali on the other. The scale ranges from 0 to 14. 7 is neutral like distilled water. The further you move away from 7 in either direction is more corrosive. The 0 side is acid and the 14 side is base/alkali.

You would think that all inks are hovering around a 7 to be safe in your pen and on paper. We certainly did.

Holy cats! We were wrong.

First you saw these Pelikan Edelstein inks in our UV ink fast test. Now we’re going back and checking their pH balance!

For years I told people…as I was told by many pen collectors and dealers before me…that you can always trust simple blue and black inks from the major pen manufacturers. However, just our initial testing indicates that might not be the best advice any longer.

Before I go on, let me preface the following by saying that we are not chemists. We feel confident in our results from our testing. However, we do not know the chemistry of the ink interacting with ink sacs, celluloid, gaskets, seals and other assemblies inside your pens. Our pH testing is simply raw data we gather from bottles of ink we have collected. Yet, it might help shed some light if you are experiencing trouble with certain inks interacting poorly with your vintage or modern pens over time.

Having recently written about Pelikan Edelstein inks in an ink-fast test, I thought I would revisit these inks for our pH testing. For those keeping score at home our meter and inks were tested and calibrated at 24ºC.

Pelikan Edelstein Amethyst               5.6
Pelikan Edelstein Aquamarine          3.3
Pelikan Edelstein Aventurine             6.4
Pelikan Edelstein Garnet                   6.5
Pelikan Edelstein Jade                       5.3
Pelikan Edelstein Olivine                    6.0
Pelikan Edelstein Ruby                       7.9
Pelikan Edelstein Sapphire                 3.7
Pelikan Edelstein Smokey Quartz       6.5
Pelikan Edelstein Tanzanite                7.3
Pelikan Edelstein Topaz                      6.4
Pelikan Old Version Violet                   2.7
Pelikan Modern Violet                         3.4
Pelikan Brilliant Red                           6.9

Again, I’m not a chemist, and I have not studied how these inks interact chemically with ink sacs and other pen parts.

That said, what really strikes me as fascinating is that the “traditionally safe” blues such as Sapphire and Aquamarine are really acidic. I love Edelstein Sapphire and use it more than any of these other colors, and I would never have guessed it was as acidic at it is.

Also fascinating, I’ve been told for years never to put red ink in an ink sac, but Garnet, Ruby and Brilliant Red are among the closest inks to test near pH neutral.

Again, the chemicals in the ink might interact differently with the chemical compositions of our pens, but we find this to be a really fun look into our favorite inks. Many more UV and pH tests to come!

Bic Cristal Inks Get Testing

We tested these 8 Bic Cristal pens to see how ballpoint ink holds up to 6 months of sunlight. Blue, Pink, Green, Black, Grass-Stain Green, Purple, Turquoise and Red.

During my last visit with Ink-Fast Donn at the D.C. Pen Show in 2019, he said he was starting to test ballpoint inks to see how well they hold up to UV light.

Last summer, I discovered a collection of the famous and commonly used Bic Cristal ballpoints in my fencing gear. I taught a wonderful group of teens and tweens advanced competition maneuvers and strategy, and to help them remember their lessons and opponents, I insisted they keep “Diaries of Doom” and “Tomes of Terror.” To help personalize it more, I handed out colorful notebooks and pens.

Armed with 8 colors (blue, pink, green, grass-stain green, black, turquoise, purple and red), I created a sample on Rhodia paper and taped it to a sunny window of my home at the end of August. I took it down at the end of February and was surprised by the results.

This photo doesn’t really do full justice to the sample set and proof set. The blue doesn’t look as blue as it does in real life.

Surprise #1 to me was that the black ink faded. With fountain pen inks, you can generally count on black to be the most stable and fade-proof. While it didn’t fade away entirely, it had issues.

Side by side comparisons showcase the effect of 6 months of sunlight on Bic Cristal inks.

Surprise #2: Blue! Blue fountain pen inks fade something fierce under the withering sun. Bic Cristal blue got stronger! It lost some of its blueness and turned blacker, but it held on defiantly under the sun’s gaze.

Surprise #3: Grass-Stain Green didn’t fade as much as I thought it would. It faded a little.

Red and purple faded the most. Green, turquoise and pink faded a little, but survived okay.

Reflecting on this experiment, for some reason, I always assumed oil-based ballpoint inks would be far more permanent than water-based fountain pen inks. Yet, their chemical compositions all have their frailties. Some ballpoint colors react differently than fountain pen inks, but that shouldn’t surprise me as much as it did.

More Ink Tests with Donn

Ink-fast testing image

Donn D. shared this new set of ink fast tests he made in 2018. Look how well Cross inks hold up!

Ink Guru Donn D. and I ran into each other again at the Chicago Pen Show a week ago, and I was pleased to see he had some new ink-fast tests to share. This batch is concerned with more fountain pen inks, and I was surprised to find great results with the Cross inks. Who knew? So often happens that Cross gets written off as a boring legacy brand. They make a lot of good ink and surprisingly good pens, in spite of their ubiquity on the scene here in the States.

Much of my conversation with Donn revolved around the fact that ballpoint inks are more susceptible to U.V. light than previously thought. He has found some fade out just as poorly as fountain pen inks. Given ballpoint inks are formulated with oil as a base, this surprised me. As thicker inks, I thought they’d last longer. With any luck, Donn will share those ballpoint ink results with us one day.

In the meantime, enjoy these great tests with fountain pen inks. Click the image to see a bigger version.

Meet the Ink Test Guru

Several years ago I met Donn D. at the Chicago Pen Show. We got to talking outside of the main room afterhours, and he was the one who introduced me to Ink-Fast Tests. He had a binder of very organized ink swatches that showed what an ink looked like when protected from the light, what it looked like after it had been left in the sun for 3 months and after it had been left in the sun for 6 months.

As I was on a quest for the perfect replacement blue for my beloved Waterman Florida Blue, I began making ink tests for this site. I figured you would be as curious as I am about how ink holds up to UV light.

Donn and I got together at this year’s Washington DC Pen Show and resumed our inky discussions. I asked if he would be so kind as to share some of his tests on the blog, and he said, “Yes.”

Included in this post are 4 pages of his tests of Pilot ink, Diamine ink, Noodler’s ink, Waterman ink, Parker ink and Pelikan ink…among others.

Donn described his methodology as such: “I exposed fountain pen ink samples to ultraviolet light from the sun for 3 months and 6 months.  The exposure method involved simply taping them to the inside of a patio door, which does not block UV very well.  I exposed all samples in the same manner, but not at the same time, and have no record of the number of cloudy vs. sunny days for each test.  The paper was standard office copy bond.

The inks in this test happen to be colors I like, rather than a general test of a manufacturer’s entire product line.

What surprised me most was how well green inks held up, and a chemist friend speculates a copper compound may be involved.

Note: Test sheet #1 shows 6-month results only.”

Thank you, Donn, for sharing so many of these ink tests. Everybody else, I hope these help you in your quest for the perfect inks.

Click on any of the images to see a larger, clearer representation of the inks tested. Please also note that these are not performance tests of the ink inside a fountain pen. Some of these inks are not as well suited to vintage pens as others. This is strictly to showcase how an ink will hold up to time and light. (For example, Noodler’s Ink often clogs the hell out of vintage pens. Beautiful inks but a pain to deal with unless you love spending hours cleaning pens.)

Ink Fast Test #5: Diamine & ColorVerse

I went a little ink crazy at Vanness Pens during the Little Rock Pen Show, back in April. Afterall, they only have the world’s largest selection of ink…and they were kind enough to ply just about all of the vendors and weekend pass holders with free food (including chocolate-covered bacon) and beer. As such, I dove further down the Diamine rabbit hole…and then I won a free bottle of ColorVerse Kepler’s Laws ink in a raffle!

These are before and after samples of Diamine and ColorVerse inks left in the sun for 3 months.

Now it is time to share my experiences with the inks. My all-time favorite blue ink is the old Waterman’s Florida Blue, so I had to try some of Diamine’s Florida Blue. Diamine Florida Blue is a very pale blue that is just a little too deep to be turquoise. I still prefer the much darker Waterman version. I put a test sample in a sunny window, and the UV rays completely erased the Diamine Florida Blue test sample! Definitely not archival quality ink, although it is attractive for artistic writing uses.

Diamine Mediterranean Blue ink is gorgeous when used in a really wet pen. The photo proof sample isn’t as generous of its deeper hues of blue. It could be my replacement for Waterman’s discontinued ink…except it too was completely erased by the sun!

My favorite ink find of the past year or two was Diamine’s Ancient Copper. When I saw the Diamine Autumn Oak at the shop, it looks about a shade lighter in a rich orangy brown. It is a beautiful ink when fresh. Annnnd, luckily it holds up a little better than Diamine blues in 3 months of sunlight.

Of the four inks, ColorVerse’s Kepler’s Laws held up best to the sun. It is a rich red color with purple hues and a little shimmer when fresh. (I don’t see the shimmer, but all of my pen pals insist that they see it.) It writes better than I thought it would. I was really worried it would clog up my pen, but I didn’t have that experience in a Delta Fusion A2 I have with a stub nib. After 3 months in the sun, the more vibrant red aspects vanished, but a slightly watery merlot color remained strong.

And for those who are curious about the black header ink, it is the already tested and proven Aurora black. A bad-ass ink that never quits.

Ink Fast Test #3

Attracted by the many colors and properties of Noodler’s Inks, I just had to start exploring.

Finding the right orange ink for me became an obsession last winter. Loving the color samples online for Apache Sunset and Habanero, they were the first in my cart.

The top portion of this photo showcases fresh writing with Noodler’s Apache Sunset, Habanero, Polar Blue and Anti-Feather Black inks. The bottom of this photo shows how much or little they faded after being exposed to 6 months of summer sunlight.

Noodler’s Apache Sunset looked much darker in the online sample. In real life it was more of a running Pumpkin-Gut yellow-orange. It doesn’t offer much by way of shadowing effects unless you use a really wet nib or more preferably a wet, wide stub nib. In the six months it was posted in my sunniest window, it faded the most heavily, which really wasn’t surprising.

Friends know me quite well for my obsession with fiery hot tacos (My buddy Adam and I invented the notorious Flaming Hot Orgasmic Tacos from Hell while in college.), and I could not pass up a Noodler’s Habanero ink. This one looks spectacular and is the darkness that I thought Apache Sunset would be. It became my favorite of my 4 new Noodler’s inks. Unfortunately, its blazing color doesn’t hold up well to the blazing fury of the summer sun. As much as I love the color, I have noticed it is rather viscous. Generally, I have to thoroughly flush my pen every time between fillings of the Habanero ink. If I don’t, the pen gets too clogged up to write by the time I am half way through the second fill.

Since beginning these ink fast tests, I’ve been desperately looking for inks that won’t fade heavily with time or light. Noodler’s Bullet Proof inks are perfect for archival writing. Six months in the summer sun did little to diminish the strength of Noodler’s “Polar Blue” and “Anti-Feather Black.” These inks are promised to be UV resistant, water resistant, chemical uneraseable and many other incredible features. Our tests proved that out. When we soaked one sample in water, the paper disintegrated more than the ink.

Noodler’s Anti-Feather Black ink only gets a smidge fuzzy after being soaked in water. It holds its properties incredibly well in sunlight and under water…once it has been let dry, that is.

Yet, there is a cost to these inks as well. They clogged the living daylights out of two juicy writing pens. It was a matter of time more than of use. If I were to fill a pen with Anti-Feather Black and write it to empty in one day, there’d have been little problem. If I wrote out half of the ink in one day and then waited a week to use it again, then problems developed. Ink would dry out on the ink feed and start gumming up the works fairly quickly.

As much as I love the deep, rich black of the Anti-Feather, along with its archival qualities, I only reserve it for special occasions, using only a glass dip nib. The Polar Blue was so frustrating, I gave it away to a friend who wanted to try it.

A 3-Month Ink-Fast Test

A gentleman at this year’s Chicago Pen Show showed me his very elaborate ink-fast test to see which of his inks could best withstand direct sunlight for an extended period of time. He tested dozens, if not more than 100 inks, to see how they looked new, at 3 months, at 6 months and a year.

As he said most of the damage was done to the ink within the first three months, I decided to try a 3-month ink-fast test on my 8 favorite inks.

8 inks testing day 1

Here are the fresh fountain pen inks on Day 1 of the trial before being placed in my sunniest window.

Hopefully the photos show the results. However, to clarify any difficulties due to all of the variations of computer screens, I shall describe the results, as well.

Lamy Green went from a bright kelly green a faded, almost camouflage green-grey.

Lamy Turquoise turned to a blue-black.

Monte Verde’s new blue fountain pen ink faired second to worst, turning from a nice medium blue to a light shade of grey.

Parker Blue-Black fared best, maintaining a strong dark color more black than blue.

Waterman Florida Blue turned medium grey.

Pelikan Edelstein Adventurine, which is almost a forest green, but not quite, turned turquoise.

Aurora Black Ink turned a medium to darkish brown. This made me wonder if Aurora put a touch of iron in its ink.

Inks after 90 days of sun

After 90 days in direct sunlight, all 8 inks faded. However, it appears that Parker Blue-Black ink held fastest and Yard-O-Led Royal Blue faded the most.

Yard-O-Led Royal Blue, which is an especially brilliant blue when fresh, fared worst and turned to a barely legible sky blue.

Although I had no idea how Waterman Florida Blue would deteriorate over the years, it has been my go-to ink since I discovered it in the 1990s. Now that they no longer make it and changed the formula to Parker’s slightly inferior blue Quink, I am on a quest for a new blue to love. I thought Yard-O-Led would be it, but now I have my doubts. A German friend has turned me on to Diamine Kensington Blue. We’ll have to see how that holds up to the sun.

When I know, I’ll be sure to share.