Tag Archives: Parker Duofold

How Do I Restore A Parker Vacumatic

This is a new old stock Parker Vacumatic Maxima in the “Golden Pearl” design. Check out the barrel clarity!

When it comes to vintage Parker pens, Parker Vacumatics are my favorite. I love their stunning art deco designs and over-complicated filling system. The pens have some quirks, too, but, I still love them.

As the Roaring Twenties came to a close, the Parker Pen Company knew it had to build on to its huge success with the Parker Duofold fountain pen or risk losing momentum in a very competitive writing instrument marketplace. Kenneth Parker, son of the company founder George Parker, figured the answer to this problem was a sac-less fountain pen that held more ink than most any other pen on the market. The key to the new pen would be a vacuum pump that used a rubber diaphragm invented in 1928 by Arthur Dahlberg. It was a device that Sheaffer, Waterman, Conklin and Wahl-Eversharp turned down. That device would be the foundation of a pen Parker first released to the public in 1932 as the Golden Arrow. Yet, the company would soon rebrand it the Vacumatic.

More than a Vacumatic-filling Parker 51, this is the rare, legendary “yellowstone” color in like-new condition.

During the next 16 years, Parker would feature the Vacumatic filling system in 3 of its most famous pens: the Vacumatic, the 2nd generation Duofold and the Parker 51. If you get into vintage pen collecting, odds are really good that you’ll encounter numerous “Vacs” that need repair. Restoring these pens is both easy and complicated. It really just depends on how lucky you get.

Parker Vacumatics and 2nd generation Duofolds with Vacumatic fillers (sometimes called DuoVacs) were made of celluloid. Celluloid is a beautiful plastic but it ages inconsistently. Some Vacs are as strong as they day they were made. Others that were exposed to prolonged heat might be brittle. In my own very non-scientific experience, I find that the “grey pearl” models of Vacumatics are often very fragile. Soaking the celluloid too long in plain water can damage a pen. ANNNND, for the love of all that you hold dear, keep celluloid pens away from open flames. When celluloid catches fire, it burns fast and hot, like a traffic flare. How do I know? One of the original fountain pen repair books said that one should heat a pen up over an open flame to make it easier to open. I did just that, when I was still learning, and holy cats! I had to leave the damned flaming pen at the bottom of a steel sink filled with water before it would finally go out. NEVER USE AN OPEN FLAME. Turns out hair dryers work just fine.

Vacumatic enthusiasts divide these pens into 3 generations. It is vital to know which generation pen you are working on. 1st Generation pens have a lockdown vacuum tail filler and often an integrated section and barrel. As such, you can’t always unscrew the section from the barrel, as you would the 2nd and 3rd generation pens. Plus, when removing the filling unit, you must first unlock the plunger so it is fully extended. Attempting to remove the filling unit with the plunger locked down will destroy the plunger and filling unit. (Authentic replacements are very hard to find.) 2nd Generation pens still have an aluminum plunger but no lockdown device. They usually have a section that unscrews, too. 3rd Generation pens have a plastic plunger and unscrewing sections. These were World War II production models, and aluminum was rationed.

On the left is the Vac Extractor Tool and to the upper right is the “stocks” style Vac unit tool. A Parker “DuoVac” awaits them below.

Unlike most pens which can be restored with the same tools, Parker Vacumatic pens need a special filling unit tool that helps you to remove and return the filling unit into the tail of the pen. I use two different types depending on the challenge of the job. My favorite looks like a medieval stocks with two different size (threaded) holes and is tightened with screws and an Allen Wrench/hex key. The small hole is for debutante and standard/major-sized filling units. The larger hole is for the oversized Maximas. I generally prefer it, as it makes resetting the new unit with a lubed diaphragm a little easier. The other design that I like was invented by Scott Pauley at The Inky Nib. He calls it the Vac Extractor Tool. Unlike the stocks tool that I normally use, this tool has the tightest threaded grip imaginable on the filling unit. My “stocks” just can’t get a tight enough grip on maybe 1 in 20 filling units. That is when I break out the V.E.T. to get the job done. Very clever design, fairly easy to use.

For today’s demonstration of Vac repair, I have chosen a 1945 Parker Duofold with a vacumatic filler. As with the 3rd generation Vacumatics and early Parker 51s, it has the plastic plunger unit. It also has a section that you can unscrew.

As usual, I start by soaking the nib and section with water just deep enough to cover the barrel threads for an hour or so to leach out the old ink and help loosen the section. An hour is usually safe enough not to damage the celluloid with the water emersion.

This is a close-up of the extracted filler unit in the stocks.

After drying off the nib and section, I test to see if I can unscrew the section with section pliers and just a few seconds of heat from a hair dryer. If I can get it started, I leave it for later. Then I thread the filling unit into the stocks and tighten up the stocks. Next I take the hair dryer and apply a few seconds of even heat around the celluloid tail of the pen. I grip as much of the barrel of the pen as I can in one hand and then slowly apply pressure turning to the left with the stocks. I am lucky with this pen that the unit unscrews fairly easily. If it fought me, I would apply a little more heat at a time until it finally gave way.

 

Watch how the wooden dowel pushes up through the section side of the barrel to remove the old diaphragm from the barrel.

After the tail-end is open, I then unscrew the section with the nib and feed all still in place. The reason that I don’t unscrew the section, even though I’ve loosened it, is that I want the added strength and stability of the celluloid at that end of the barrel while pressure is being applied to the tail end. The tail end experiences more torque and a little more fragile than the section end. I don’t want to accidentally squeeze the barrel too hard so that I crack the open end.

Sometimes the threaded black-plastic portion of the filler unit comes out, but the plunger portion remains stuck inside the tail. Sometimes the remains of the decaying rubber diaphragm remain stuck in the tail of the barrel. In these situations, I use a wooden dowel to remove them. After the big parts are out, then you need to use a dental pick or some other device to make sure all of the old diaphragm is out. You want to be especially careful with the barrel’s inner threads.

Here is the “field stripped” view of the pen. Note that I do not disassemble the section, nib, feed and breather tube. They are all perfectly happy in place 90+% of the time.

Once the pen is disassembled, the real cleaning begins. There is a trend lately among new vintage pen collectors/repairers online to prove their street cred by also knocking out the nib and feed from the section. This is entirely unnecessary the overwhelming majority of the time and risks breaking things that are perfectly fine as they are. At this point, I just dunk the still fully assembled section in the sonic cleaner along with the cap and barrel. It usually takes fewer than 5 minutes of cavitation to get them clear of old ink and debris. When you are done, dry it all off. I like to buff up the 14k gold nib…if I am not at risk of removing any two-tone plating…apply a little “Super Lube Silicone O-Ring Lubricant” to the section threads and screw it tightly on to the barrel again.

Can you see the little pellet ball in the top of the plunger from this view?

At no point did Parker actually use any glue on these pens. However, over the years, various repairmen did use glues and shellacs. That brown crud on the bottom of the plunger three photos up from here is old shellac. I scrape it off with a razor. (Please note that I leave the filling unit in the stocks for the duration of the restoration process. This helps me to make sure the proper depth is achieved when I screw the unit back into place so that the tail cap and barrel will realign properly.) Then I try to carefully remove the pellet from inside the plastic plunger’s cup. It was really difficult to get a good photo of that annoying little ball. The goal is to minimize damage to the cup of the plunger. I recently discovered there is a man in the UK who make a dremel-friendly drill system to drill out the pellets, but I have not yet tried it. Typically, I use a pin to try scooping out the pellet. It deforms the cup a little, but I try to pinch the cup back into shape when I am done.

Trim the diaphragm at roughly the point you see where I’ve lain a pin over it in the photo. New diaphragms are usually way too long to work properly. It is vital that the diaphragm can be stretched with the plunger to the point where it almost touches the breather tube inside the barrel. However, if it is so long that it impedes the function of the breather tube, the pen won’t fill or empty properly.

Inside the diaphragm is a new pellet. To start reassembling the filler, you will need to carefully get that rubber dip end of the diaphragm with the ball/pellet in it into the cup of the plunger. Once the diaphragm is secure in the cup of the plunger, you are going to hold the diaphragm in place and push the plunger up through the center of the diaphragm and invert the diaphragm from its original starting position. Once you have the original open lip of the diaphragm rolled down over the plunger, pinch it with your fingers to that metal cone part that I used a razor to scrape the shellac off of. Also make sure the same cone is held into the black-plastic threaded part of the filler unit so that the plunger is fully extended by itself without the rest of the parts joining it. This is tricky and likely doesn’t make any sense until you actually do it for yourself. While the unit is is pinched and the plunger and diaphragm stretched fully, dab some of that silicone lubricant all over the diaphragm. Finally insert the lubed up mess into the tail of the barrel. Make sure to twist the barrel back and forth so the stretched diaphragm doesn’t get stuck on the sides. Don’t release the pinched cone until it is as deep into the tail as your fingers can let it be. It should snap onto its seat when you release it. Finally, you can screw the black-plastic threads back into the barrel. If all goes well, the unit it will feel tight right where you started at. However, even when things go well, sometimes they don’t stop where you started. NEVER overtighten the filling unit. If it starts to snug up early, that’s okay. Sometimes, you might have to unscrew the stocks and reset them a little higher to finish tightening a little deeper than before. It is far more important to get the right snugging of the unit, as the unit holds the diaphragm lip in place while the plunger creates a vacuum with the rest of the rubber. If you overtighten, you can blow out the entire barrel and make it inoperable, ruining the pen. If you don’t get a tight enough closure, the diaphragm will get loose and not work. Don’t worry if the blind cap doesn’t align as perfectly with the barrel as it might have done.

At this point, it is safe to try test filling it with water. Remember it takes 10 to 12 pumps to fill it all the way. If everything looks like it is working okay, the only thing left to do is to polish it to a beautiful luster. Personally, I think wet sanding works best on Parker Vacumatics, 2nd Generation Duofolds and 51s. Tune in this November for our wet sanding tutorial.

Here is our fully restored Parker Duofold from 1945. That wet sanding really makes it stand out

How Do I Start Collecting Pens: Why Are Some Pens More than Others?

A good friend recently asked me why some pens cost more than others. The cheeky, glib and true answer is supply and demand. But, it is more than that. Sometimes it is marketing. Sometimes its trends in the marketplace.

This is a “Big Red” senior Parker Duofold made of orange Permanite.

However, he was asking for something more specific. When looking at vintage pens, he saw wildly fluctuating prices for pens that looked almost the same to him. Why does the average super-famous senior Parker Duofold “Big Red” (orange) go for $100 or $200 and the average senior Parker Duofold in Mandarin Yellow go for $800 or $900?

Big Reds are pretty common, especially the later 1920s’ version made of “permanite.” Most vintage collections have several of these pens. Mandarin Yellow versions of the same pen are fairly rare. They didn’t make as many, and the material used to make the yellow turns very brittle with age. As such, a large percentage of the senior Mandarin Yellow Duofolds broke. Nevertheless, these are still beautiful pens, and their scarcity makes them all the more desirable. Senior-sized Duofolds cost the most back when they came out, so many people bought the smaller Junior and Lady Duofold models to save money. As such, collectors have chosen the rarer senior models to be the favorite, which is why junior and Lady Duofold versions of the pen in mandarin yellow sell for much less than the seniors.

Mandarin yellow was a much more fragile substance to make Parker Duofolds, and it didn’t age well. These Mandarin Duofolds are much more sought after because they are more scarce.

This also is a good place to demonstrate trends in the marketplace, too. I am writing this in October of 2022. Where as a reasonable price to pay for a senior Mandarin Parker Duofold is $800 to $900, five to seven years ago, these same pens were getting $1,200 to $1,500. These pens were in higher demand back then, and dealers couldn’t keep them in stock. The market has softened some since then. Why? 2 factors. 1.) Just about everybody who wanted one of these pens back then got one if they could afford it. 2.) Sadly, we are starting to see a passing of a generation of vintage pen collectors. There are more and more of these pens on the market, and younger generations of pen users and collectors are not as excited about vintage pens. ALSO, the younger generation is paying off insanely large sums of college debt and paying tons more for skyrocketing housing prices. In their hierarchy of stuff to pay for, a rare 100-year-old pen is not as pressing as next month’s rent or feeding a young family.

Staying in the Parker Duofold family, Senior Big Reds made of orange hard rubber are usually much more valuable than the more common and less fragile “permanite.” Streamlined Senior Parker Duofolds are rarer and tend to get more than the “traditional” flat-top designs. Pristine Lapis (blue) Senior Duofolds can command a lot more money due to the fact most Lapis Duofolds turned dark and nearly black in some cases. The same goes for the Pearl and Black Duofolds. They turned brown with discoloration. If you find a pristine one, those are going to get a lot more money. Another feature on a Parker Duofold that is highly regarded is the bandless senior Parker Duofold Big Red. These pens are also really hard to find. Most Duofolds had one, two or even three bands near the lip of the cap. The bands help to protect the cap when posting it on the tail of the pen. Bandless models weren’t common, and the caps often broke when people posted them. Soooo, many people will pay top dollar for a bandless senior Duofold.

We haven’t even left the Parker Duofold family, yet.

Flexible nibs, such as this Conklin #4 nib, are in high demand in 2022.

Flexible nibs are king right now. Everybody wants one, and so few pens came with flexible nibs over the years. All flex nib pens command top dollar. Basic Waterman 52s would sell for maybe $50 ten to fifteen years ago. Yet, many of their tiny #2 nibs have a little to a lot of flex, and these same pens now get between $100 and $150.

Conversely, one of the several Waterman pens that really draw big bucks are early 1920s Waterman #7 Pink pens. These were oversized…or close to it…. The distinguishing feature of these pens is a pink ring around the top of the cap AND the word “Pink” imprinted on the 14k gold nib. Waterman made these nibs specifically to be very flexible writers. All of the color-ring Waterman #7’s are fairly desirable, but Pink is the most sought. As such, these pens command much more money. You can probably find a Waterman 56 or 58 in black hard rubber from the same general time period for less…with the same basic flex nib…and save a bundle over the Pink.

Apparently, even cheap TWISBI fountain pens made in China are falling down this pricing rabbit hole. You can buy most TWISBI Eco fountain pens for around $15 to $20 brand new. However, just the other day I saw a “limited edition” transparent orange cap TWISBI Eco sell at an auction for more than $230! It was a discontinued color that people love enough to get into a bidding war over.

Most TWISBI Eco fountain pens are pretty inexpensive but this rare color model goes for more than $200 on some auctions sites.

There are probably hundreds of vintage pens (and modern) such as these to ask these questions of, and so I shall revisit this topic and question from time to time to help sort out why some pens are so much more valuable than others.

Controversy in Chicago Part II: Getting to Know Each Other

DISCLAIMER: Painting in broad brush strokes, it will be nearly impossible to describe all of the individual experiences, personalities, struggles, complaints and desires of veteran vendors and folks who are newer to pen collecting. In listening to the “New Pen Show Attendee Forum” at the Chicago Pen Show–and in many conversations since–these are the observations I have made in an effort to better foster understanding and friendship between pen lovers of all ages.

Depending on who you talk to at a pen show…and depending on their age…it isn’t all that uncommon to hear variations of the following statements:

  • “Young people never buy vintage. They only buy limited editions and cheap Asian junk.”
  • “The veteran vendors are a bunch of grumps.”
  • “New pen people are always breaking my pens.”
  • “I’m sick of veteran pen dealers always ripping me off.”

In addition to that, each group seems to find the other group anti-social, although each group is extremely social. One chats all the time online, and the other prefers talking more in person. Each seems out of touch with the other, and it is high time we all got to know each other better. With all of the technology we have, there isn’t a lot of pen love out there any more, and we should unite.

Without further ado, Newbies, meet the…

VETERAN VENDORS:
Without most of the veteran vendors you meet today at a pen show, we wouldn’t have a hobby, and we likely wouldn’t have many–if any–new fountain pens being made.

0800 National The LincolnPen collecting really got its start in the 1970s. The whole world had switched to ballpoints (there were no such things as rollerballs or gels), and everyone was convinced that no one was ever going back to fountain pens.

A group of younger people, almost entirely independent from one another at first, still loved the old fountain pens. They were drawn to them by their beautiful designs, superior writing qualities and curious filling systems.

The pens were plentiful and cheap. Seriously, guys have told me stories about finding Parker Duofolds for as cheap as a quarter at flea markets and in antique stores.

The more they bought, the more they got curious and became amateur historians. There was NO INTERNET. These guys had to track down vintage advertising, catalogs, former employees and corporate archives to find most of the information we can now find in 10 seconds online. They spent whole decades of their lives uncovering this information.

0119NThey also taught themselves and others how to restore vintage pens. One person even bought, restored and began using a rubber ink sac and diaphragm-making machine to keep supplying us the parts to keep restoring these pens.

Many vendors/collectors became obsessed with finding perfect models of every pen a certain company made. Imagine tracking down every color and size of each model pen a company such as Sheaffer or Parker made. Many of these guys have museum-quality collections, and they got much of them for under $20 a pen! (This is an important detail to save for the second half of the post.)(It also is important to note that most of them have spent hundreds, if not thousands, to acquire a single rare model for their collections, as well.) (Another important detail.) These collectors often consider themselves “completists.”

Eventually, the different collectors began to find each other and form pen shows, clubs and publications. Again, no internet, so these organizations grew slowly.

Collecting among these folks–for many but not all–became very competitive. Bragging rights were involved with cutting the cheapest deal and making the largest-margin deal. Bragging rights also were involved in finding the rarest pens, knowing the most about a particular subject and sometimes even conning a fellow/rival collector. Most of it was good-natured, but some people got to playing a little rough, too. There are a lot of good pen war stories out there, for those who are interested.

For those who enjoyed the competitive side of collecting, their core philosophy was something to the effect of: “It is up to the individual buyers to do their due diligence before purchasing a pen. If you don’t investigate the pen and/or do your research, it is your fault for handing over the money without negotiating a better deal.” They also will be the first to tell you that they’ve all been ripped off more than once.

0829 Mont Blanc 149I’m not here to state whether that is right or wrong. I’m not saying every veteran vendor is that way. In fact, I think a lot of them are much more consumer friendly than that. (Many veteran vendors are actually very eager to meet and teach new collectors some of what they have learned in the past 40 years.)  Mostly, I’m just trying to explain some of the bruises new collectors pick up at a pen show.

Further, it is very important to note that vintage vendors turned pen collecting into viable businesses. More than one-man shows, many of these businesses employed people and developed real operating costs. Demand and overhead contributed to the rising prices of pens.

By the late 1980s and early 1990s, pen shows were drawing thousands of attendees from around the world. Before long, pen companies began taking notice of the rising demand for vintage fountain pens. In 1992, Mont Blanc released the now coveted Hemingway fountain pen. It was a monster hit with vintage collectors and drew renewed interest from modern pen users. Around the same time, Parker reissued the Gen. MacArthur Duofold, resurrecting the iconic model for the 4th time.

0585 Parker DuofoldAs the popularity of the hobby swelled, vintage pen prices ballooned. The internet and eBay made collecting much more accessible without the need for pen shows. Many of your veteran vendors are big eBay sellers, too. The hobby remained more vintage heavy until the Great Recession in 2008.

Everything went topsy turvy with the recession. Vintage prices crashed along with the stock market. Also, and very sadly, the folks who started the hobby in the 1970s began passing away. Pen makers the world over started producing fountain pens in high numbers. New ink colors were unleashed by the hundreds. New, younger collectors began putting a new face on pen collecting. For better or worse, many of the veteran vendors are having a harder and harder time recognizing the hobby and industry they started.

And thus, it is now time for the veteran vendors to meet the…

NEW GENERATION PEN COLLECTORS:
Young collectors are a lot like veteran collectors 30 and 40 years ago! They are drawn to the hobby by the beautiful designs, superior writing qualities and curious filling systems of fountain pens. They are hungry for more information about the pens and companies who make them. They socialize and congregate by creating new social media forums, blogs, podcasts and Youtube videos and channels.

0830 Visconti OperaNew generation pen collectors likely didn’t grow up using fountain pens. Fountain pens, whether vintage or modern, are still extremely exciting and fun writing instruments to use in their daily lives. They are just learning about the joys and fun to be had by writing with everything from extra-fine nibs to stubs to flexi-points.

Cursive writing hasn’t been taught in public schools in most cities for most of this new millennium. New generation collectors are fascinated by cursive handwriting and are often very eager to try their hand at classic Spencerian script.

They are diving into all of the various colors of ink available to see which ones they like best. They are making the most of some of the options not available to veteran collectors when the veterans were first getting into the hobby.

I have heard many veteran collectors sneer at the fact new generation collectors are users and not completists. This is a misguided sneering that I really want to squash.

As I stated earlier, veteran collectors had a very different economy to start collecting. Not only were vintage pens prevalent in “the wild” for really cheap prices. Wages back then kicked the asses of wages today.

0940NNew generation collectors are buying a lot of cheap Asian pens and Lamys because they are affordable and under $30. New generation collectors likely came out of college with $50,000 or more in debt. Modern housing often costs 50% of their paychecks. Jobs for 20 and 30-somethings are hard to get, and a lot of them are excited if they can get a job that pays at least $40k a year. Plus, many are getting married, starting families and juggling other traditional responsibilities.

Base-line vintage pens are prohibitively expensive to collect as a completist would. If you could buy a good used Parker 51 in 1975 for fifty cents, that same pen now likely goes for $60 to $80. If you want a green, blue, black, golden pearl, grey and burgundy Parker Vacumatic in the standard size, five of them will cost at least $85 a piece and the burgundy will get at least $150. That’s $575 all together. You can spend $2,000 easily to get their matching Maxima companions and another $400 for the demis. Toss in Shadow Waves and Toothbrushes…. Well, you get the idea.

Plus, there is a huge degree of competition from modern pen brands. Vanishing points, Pelikans, limited editions, inexpensive pens with unique, smooth nibs…there’s a lot out there to explore.

So, while new generation collectors aren’t completists, they are serious collectors. Frequently on a budget, they eagerly try a little bit of everything: needle-point extra fines, flexi wet noodles, stubs, vac fillers, limited editions, lever fillers and all of the other cool features that make up the pens we all love.

0979 Omas MarconiOn my site and at my tables at pen shows, I find that the new collectors are very curious about the vintage pens, but they are a little gun shy. They’ve likely seen and read a lot about them, but they have never seen them in the flesh or tried them. Many are a little nervous to admit that they don’t know much but want to learn, so I make sure to give them basic rundowns of the pens, which I put in their hands and let them try. As expected, they often love the vintage and want to explore more. So if you’re a veteran vendor, don’t be afraid to talk to the young’uns and share a little of what you know and let them try the greatness of vintage.

Finally, it is important to note the art of the deal.

New generation collectors have lived their entire lives in a price-posted-is-price-paid economy. Even many car dealerships today don’t negotiate car deals. The older generations hated this enough to kill these type of sales in most retail environments. Plus, the internet makes it impossible to negotiate a price but EASY to comparison shop. It is safe to say that most new generation pen collectors go into pen shows expecting honest, competitive pricing on the merchandise and no-hassle honest deals. Many have done their homework and won’t even deal with somebody with seemingly inflated prices. As users, many new generation collectors expect the pens they buy to work, and if you don’t inform them upfront that the pen is unrestored, it is reasonable for them to feel ripped off, especially if you won’t refund the money once they discover this issue.

It can be argued a pen show is a buyer-beware environment, but forget about repeat business if you run your business this way. Now if you are the type of vendor with 500+ pens on your table, it is safe to say you might not know which pens are restored. Newbies won’t fault you for that, as long as you go over the pen with them to make sure it is what they want. Besides, if you have that many pens, if that pen turns out to be something they don’t want…you’ll likely have another they do. Build trust with them, and they’ll bring their friends to buy more. As simplistic as it sounds, it really boils down to treating one another with fairness and respect.

God knows I’ve gone on long enough for one post, but I hope that I’ve expressed many sentiments veteran vendors and new generation collectors feel. I hope this opens up some more discussion and tears down a few barriers between the two sides of this same pen collecting coin. We’ve got far more in common than we seem to know.

Pens of World War II–Revisited

Back in October of 2013 I discussed General MacArthur’s Big Red Parker Duofold and General Eisenhower’s Parker 51s used to sign the surrender treaties at the end of World War II because I had seen one of them in Paris’ Museum of the Army. The plot thickened when the museum responded with no knowledge of the Parker 51 I saw. They did mention a French General’s Parker Duofold used to sign treaties at the end of the war. Grandson of Kenneth Parker (who personally gave Ike a set of 51s to end the war), Geoff Parker then discussed his knowledge of the famed 51s.

Gen. Dwight Eisenhower holds up 2 of the pens used to sign the German surrender, ending World War II in Europe in May of 1945. One of those pens is a Parker 51, which is now on display in Paris' Musee de l'Armee.

Gen. Dwight Eisenhower holds up 2 of the pens used to sign the German surrender, ending World War II in Europe in May of 1945. One of those pens is a Parker 51, which is now on display in Paris’ Musee de l’Armee.

At the end of that article, I left a challenge for other pen collectors to find the Parker 51 I failed to photograph back in Paris.

Well, ladies and gentlemen, although nobody has sent us a photo, yet, the story caught the eye of fascinated WWII historians Cheryl H. and her husband Roy R. They had been reading John Toland’s “The Last 100 Days,” when they stumbled on these “Drippy Musings.” Bless their hearts, they tore into the mystery like a pit bull on a juicy marrow-filled bone.

Below is exactly what they found, and it is pretty fascinating for history and pen buffs! Unlike Geoff who said Ike had several pens to use, Toland limits it to two…the rest is Cheryl’s message to me:

Using numbers to make this a bit easier to follow….

1. Totally no doubt about the 2 gold pens: 1 gold plated and 1 solid gold from Kenneth Parker and that indeed Ike had carried around knowing they would eventually be used….

2. At Rheims, France, on May 6-7 in a local school Eisenhower waited in his office while the other participants assembled.

3. By the time everyone got done horsing around with what were eventually 3 surrender documents it was early on May 7, 1945. (Signing was at 2:41 a.m.)

4. The signers were: Ike’s Chief of Staff Walter Bedell Smith; Russian Major General Ivan Susloparov; French Major Francois Sevez; German General Alfred Jodl, and for the Brits, Major General Bernard Montgomery.

5. AHA! Ike didn’t sign!! (He refused to be in the same room with the Germans before they surrendered.)

6. BUT! Ike’s pens did! One of Ike’s aides named Butcher brought in the 2 Parker pens and gave the solid gold one to Walter Bedell Smith and the gold-plated one to Jodl. The solid gold one was passed to the other Allies by Walter Bedell Smith…that is, to Sevez, Susloparov, and Montgomery.

7. It appears as though Ike had planned to present one of the pens to President Truman and send the other to our old friend Kenneth Parker. That was his stated intent at one point, at least.

8. Aide Butcher, after Jodl signed with the gold plated Parker, took the Parker away from Jodl and gave Jodl his (Butcher’s) own personal Scheaffer pen to sign the following 2 documents as a nice little souvenir for Butcher. (Gotta love a guy who sees through the historic significance of the moment…..)

9. Previous to May, there had already been an armistice signed between Italy and the Allies. Mussolini and Alan Dulles for the U.S. (His brother was Ike’s Secretary of State John Foster Dulles) Sorry…appears no one knows or cares what pens were used!

10. At some date after May 7 there was another armistice signing on the eastern front between the Russians and the Germans…I think they used Bic ballpoints. [Cerf here: Ballpoints came into prominence during the war, but Bic didn’t make the first ones. So likely not Bic. Bic was founded Oct. 25, 1945.]

But this leaves the question of Generale Tassigny…his pen is photographed and he must have signed something with it…but it does not appear to be the documents at Rheims. Guess someone will have to go to Paris to figure out that little puzzle. (I will probably burn up the internet tomorrow or sometime to work on that…)

(AND search she did. She continues…)

Re: French Major Generale Tassigny. I think we have solved that one. On May 7 I believe that M.G. Tassigny was a “witness” to Major Sevez’s signing. The next day, May 8, there were another series of surrender papers signed (by now the Russians had arrived at Rheims) and M.G. Tassigny did actually sign that day. What I/we didn’t realize is that there were a number of different surrender documents, signed over a number of days, and signed by various people. The French are so (justifiably) proud of their history and their people that it seems to me that since they have M.G. Tassigny’s pen, why not use it as fully as possible? He did indeed sign an armistice/surrender document. BTW…one reason for various surrenders was that the Russians didn’t trust anyone, and few trusted the Russians!

Another little tidbit: Ike told, I think it was, Walter Bedell Smith, that of the 2 Parker pens, one would go to President Truman and one to Kenneth Parker. Bedell Smith replied,” What about Churchill?” to which Ike said, “Oh darn it. (or something like that!) I forgot about him!”  That leaves me puzzled because Ike had to have given Churchill “something;” the pen in Ike’s Abilene library is no doubt the one used on May 7 by Bedell Smith.

Me again. Just to clarify, the pen at the Eisenhower Presidential Library is the pen he gave to Truman. Geoff Parker thinks it is possible there were more than two pens, so that Churchill and Kenneth each could have gotten a token of the surrender. And that, dear friends, is what we have found so far.Always feel free to contribute, as we love to hear from other dedicated pen fans and historians!

Santa Backs Parker Again; Mail Deadline Dec. 17

Here is Santa peddling Parker button fillers in 1900. These were the "safety sealed" precursors to the Duofold.

Here is Santa peddling Parker button fillers in 1900. These were the “safety sealed” precursors to the Duofold.

A close friend of the blog sent us a card that is ideal for a pen collector. It is the 1900 Parker advertising campaign, and we thought you might get a kick out of it.

It would appear that Parker once again funded the jolly old elf for another year to use his likeness.

Also, time is running out to get your orders in on time for Christmas! In conversations with customers and Postal Officials, a backlog of deliveries is starting to push back the time it takes for a package to arrive via Priority Mail.

When the post office gets a little behind, we cannot guarantee anything, but it would appear your best bet is to have orders ship via priority mail by Dec. 17. The closer you are to Chicago, perhaps the more you can fudge it, but it would be best to have your orders in to us on the 16th to go out with the mail on the 17th.

Pen Ads of World War I

Today, essentially, marks the 100th anniversary of the start of World War I. It is still one of the most savage wars the world has ever known. It left nearly 2% of the world’s population dead: 23 million. There is a good reason those who fought it were called the Lost Generation.

Sealed button-filling pens and take-anywhere ink tablets were revolutionary new creations for sailors and doughboys hoping to write home during the first world war.

Sealed button-filling pens and take-anywhere ink tablets were revolutionary new creations for sailors and doughboys hoping to write home during the first world war.

Yet, there’s no reason wholesale slaughter shouldn’t prevent the tide of marketing.

Parker had a particularly fascinating line of pens aimed directly at servicemen in the trenches. These pre-Duofold pens were considered “sealed” and leak proof. Best of all, you no longer needed fragile glass bottles of ink, which would not withstand the rigors of combat.

Parker sold special ink tablets. These dried tablets could be dropped in a cup of water or any other small container for a nearly instant supply of ink to fill a pen and write your family or sweetheart back home.

These ads come from around 1917, when the United States officially entered the war, which ended Nov. 11, 1918.

Enlist the safety-sealed button filling Parker pens for your needs at school or while fighting in the trenches in this classic WWI Parker ad.

Enlist the safety-sealed button filling Parker pens for your needs at school or while fighting in the trenches in this classic WWI Parker ad.




Please note the artillery is being moved by horses in the ads. This would be the last war to see horses used with any widespread practical regularity. It also would be the last to see swords and lances issued with actual intent for battlefield use. (Yes, the Japanese issued swords in WWII, but they were strictly weapons of last resort.) Cockades and spikes also saw their last use on helmets. Battlefields would be dominated by machine guns and the newly invented tanks. Oceans were devastated by submarines. And for the first time, aircraft could fly over enemy territory to observe movements, attack with machine guns and drop bombs. Cars and trucks came to play vital roles. Motorized ambulances saved countless lives. And chemical warfare would devastate countless people with agonizing pain and misery…if not death.

Getting back to the ads, I love that a pack of more than 30 ink tablets cost only 10 cents. Do any of these tablets still exist? I would love to see some and try one.

Treat Yourself as You Write Your Christmas Cards

With its striking greens and golden browns, this beautiful Parker Duofold fountain pen from 1941 would make an ideal pen for writing your Christmas cards. Not only does it look good, it is fully restored and has a very smooth fine-medium nib.

With its striking greens and golden browns, this beautiful Parker Duofold fountain pen from 1941 would make an ideal pen for writing your Christmas cards. Not only does it look good, it is fully restored and has a very smooth fine-medium nib.

I love writing Christmas cards. I don’t do group letters or holiday e-cards. I don’t care if you think it is hoaky. I love sitting down with some hot chocolate, my favorite holiday CDs and writing actual Christmas cards.

It is part of the holiday ritual that helps get me in the mood for the season’s festivities. It is a cathartic time to reflect on the past year and reconnect with my family and friends who are flung to the 4 corners of the map. For many of these people, this is the only time I hear from them…and they me.

The smell of vintage Sheaffer green ink for the cards and modern Parker red for the envelopes is heartwarming.

Plus, part of the ritual is selecting a new, or new-to-me, fountain pen to add to the collection and joyously write up each card and letter.

While it is way too early for me to buy the cards, let alone start writing them, this is the time I pick up my new or vintage pen. I’m already winnowing down my options…a restored Snorkel, a brand new Pelikan, or maybe that Cross Century II midnight pen with little pin-point stars that came out a couple years ago. The process of making that selection is half the fun.

Whether you are planning on sending out your first Christmas cards or 70th season’s worth of them, treat yourself to a new pen to make the most of your holiday writing experience with our more than 200 fully restored vintage pens and lightly used modern pens.

We Don’t Want No Fountain Pen Drama, Ladies

Despite the beautiful watercolor painting and classic 1930s fashion, this vintage pen ad is loaded with sexism that seems sure to guarantee the Lady Duofold never sold.

Despite the beautiful watercolor painting and classic 1930s fashion, this vintage pen ad is loaded with sexism that seems sure to guarantee the Lady Duofold never sold.

Seriously, how effective was this catty Parker Duofold ad from 1931?!

The ad headline reads like a movie synopsis for a cheap melodrama about a bunch of bitchy women who haven’t got much else to complain about in life. In case it is too small on your computer or mobile device it reads: “She laughingly apologized whenever she borrowed a pen, but she left a trail of ill will.”

It is hilarious for all of the wrong reasons.

The copy block only gets better…I mean worse:

“She had an ‘inexpensive’ pen, but it never seemed to work. In buying it, she thought she was saving money. But she only ran into people’s debt by borrowing pens.

“Because her request always met a courteous smile, she little suspected herself of being a nuisance.”

Is it any wonder Parker stopped making “Lady’s” pens not long after this ad came out in 1931?

As bad as the marketing was, the Lady Duofolds were and still are remarkably good pens. They write smoothly and are easy to maintain. We have a very nice one for sale, if you don’t mind a little discoloration. It still works perfectly. CLICK HERE to see this fully restored vintage pen.

Parker Pens of WWII–Return of the Jedi

This modified Parker Duofold from around 1930 was used by French General de Lattre de Tassigny to sign the German surrender that ended World War II. The photo was given to us by the Musee de l' Armee in Paris. The twist of the story is that this is not the pen that started the whole story in the first place. Where is that Parker 51?

This modified Parker Duofold from around 1930 was used by French General de Lattre de Tassigny to sign the German surrender that ended World War II. The photo was given to us by the Musee de l’ Armee in Paris. The twist of the story is that this is not the pen that started the whole story in the first place. Where is that Parker 51?

They say the third time’s the charm, but I’m not buying it. Today I received a photo of General de Lattre de Tassigny’s Parker fountain pen from Musee de l’ Armee in Paris. It is this lovely 1930ish Parker Duofold with an aftermarket replacement clip.

This is not the vintage pen I saw in Paris! I am certain it was a Parker 51, which the museum claims not to have. To keep from boring you on the top story space, I’ve revised the revised version of the story below with all of the new details. Enjoy!

Parker Pens Win WWII–Revised

It is hardly ground-breaking news that Gen. Douglas MacArthur signed the “Instrument of Surrender” ending World War II with Japan while using a Parker Duofold “Big Red” (among other pens) on the deck of the U.S.S. Missouri. It is a fact Parker touts time and again, even making a commemorative series of modern Duofolds to mark the 50th anniversary of the end of the war.

Gen. Dwight Eisenhower holds up 2 of the pens used to sign the German surrender, ending World War II in Europe in May of 1945. One of those pens is a Parker 51, which is now on display in Paris' Musee de l'Armee.

Gen. Dwight Eisenhower holds up 2 of the pens used to sign the German surrender, ending World War II in Europe in May of 1945. One of those pens is a Parker 51, which is now on display in Abilene, Kan., at the Eisenhower Presidential Library and Museum.

In the late 1920s, the Parker Duofold was advertised as being indestructable. Surviving WWII and bringing it to an end seemed elegant proof. Yet, people of the era fussed a bit about the famous general using such and old out-of-date pen–as if years of dependable service didn’t matter.

Rarely, however, is it mentioned what pen General Dwight Eisenhower used to sign the surrender of the German army.

I, myself, would not have known had it not been for a trip to Paris several years ago and a flurry of messages today. I love military history and could not pass up the chance to see “L’ Invalides” where Napoleon rests in his giant sarcophagus. Part of the grounds holds Musee de l’ Armee (a.k.a. The Museum of the Army). It was phenomenal. The swords and armor, the WWI tanks, the early rifles and muskets of the 1600s and a large display about the French Resistance and WWII.

Gen. Douglas MacArthur signed a peace agreement with the Japanese using a Parker Duofold "Big Red" similar to this one in August 1945.

Gen. Douglas MacArthur signed a peace agreement with the Japanese using a Parker Duofold “Big Red” similar to this one in August 1945. I don’t believe MacArthur’s Duofold was streamlined, though.

My eyes, long accostumed to spotting vintage pens in cluttered antique stores, instantly picked out a pen among a somewhat cluttered case full of war documents. It was the ugliest Parker 51 I had ever seen. It was olive drab, and the gold cap was tarnished almost beyond recognition. That led me to ask, what was an American fountain pen doing in the French army museum. The answer: It is the pen Gen. Dwight Eisenhower used to sign the documents of the German surrender. Or so I thought…

Several weeks before writing this post I contacted the Musee de l’Armee to send me a photo of the famous Parker 51 and any information they had about it. I did not hear from them until after the original draft of this story posted.

“We didn’t have any pen once owned by General Eisenhower,” wrote a museum employee. “The only one we have in our collection is the pen of General de Lattre de Tassigny used to sign the surrender of Germany in 1945.”

Without the presence of mind in 2010 to photograph the historic pen, I was only left with my memory, which was certain it was a Parker 51 belonging to the future president. If I had only known then that I was going to create a blog in 3 1/2 years.

Later today help came in form of one of the ultimate authorities about Parker pens: Geoff Parker, the grandson of the famous Parker CEO who gave Ike the very Parker 51s used to sign the armistice with Germany!

“The actual story behind that photo is a bit more complicated,” Parker wrote. “My grandfather, Kenneth Parker, and Eisenhower happened to meet in the Philippines in 1937 and became good friends. The two stayed in contact for many years. KP provided Parker 51s to Eisenhower as the end of the war approached. The Eisenhower Presidential Museum/Library in Kansas displays the 51 used in that ceremony which Eisenhower presented to President Truman. There were probably more than one, in order to represent each of the Allies.”

As if getting the rest of the story from Mr. Parker wasn’t already enough to blow this lifetime collector’s mind, he very kindly sent me a photo he took of the actual Parker 51 on display at the Eisenhower Library that ended World War II.

Geoff Parker took this photo of the actual Parker 51 his grandfather gave to Gen. Dwight Eisenhower that was used to sign the armistice with Germany ending World War II in Europe. It is preserved in Abilene, Kan., at the Eisenhower Presidential Library & Museum.

Geoff Parker took this photo of the actual Parker 51 his grandfather gave to Gen. Dwight Eisenhower that was used to sign the armistice with Germany ending World War II in Europe. It is preserved in Abilene, Kan., at the Eisenhower Presidential Library & Museum.

This modified Parker Duofold from around 1930 was used by French General de Lattre de Tassigny to sign the German surrender that ended World War II. The photo was given to us by the Musee de l' Armee in Paris. The twist of the story is that this is not the pen that started the whole story in the first place. Where is that Parker 51?

This modified Parker Duofold from around 1930 was used by French General de Lattre de Tassigny to sign the German surrender that ended World War II. The photo was given to us by the Musee de l’ Armee in Paris. The twist of the story is that this is not the pen that started the whole story in the first place. Where is that Parker 51?

The plot thickens: It is now October 17, and I have received a photo of the pen used by France’s Gen. de Lattre de Tassigny. It is a unique Parker Duofold circa 1930 with a glittering red candy finish and black flecks. Those Parkers are rare. Rarer still is the fact this one is missing its original Parker clip and has an after-market steel clip wedged over the broken clip and top of the pen. We actually have an original fully intact version of this pen for sale at ThePenMarket.com.

Now do you think the story is over? Of course not. This is not the pen I saw in Paris at the Musee de l’ Armee! I know beyond the shadow of a doubt I saw a Parker 51 in a case. I am more certain once again it is a pen marked as Gen. Eisenhower’s. Geoff Parker said Ike likely used several Parker 51’s to sign the surrender and gave them to each allied nation. So perhaps that is the pen he gave France. But, why doesn’t the museum have it cataloged?

Unless I beat you to Paris, pen fans, you have a mission: Find and photograph that pen! Please submit it so that we can share it with everyone on this blog and put this story to bed. It might be like finding a needle in a haystack, but here is where I remember seeing it if it helps your quest to find it. The pen was in a waist high glass case, in a room dedicated to World War II on the main floor. It was a room that I recall having two entrances–one on each side of the room but on the same wall. This case was on the right side of the room if you stood facing the case and the exit. When I was there, the WWII exhibit looked as if it hadn’t been moved, changed or altered since the 1950s. I suspect it is still there waiting for one of us. Good luck on your quest.