Tag Archives: #vintagepens

2018 DC Pen Show Proves a Success

To be honest, a lot of us had our doubts about the 2018 DC Pen Show. Last year’s show was a near train wreck at the start. So, we waited with baited breath to see if it was a harbinger for a disaster for this year’s show. It was NOT.

Here’s ThePenMarket.com table in action at the 2018 DC Pen Show. Check out our killer location on the wall by the side doors to the ballroom!

The 2018 DC Pen Show was a fun, well-oiled machine! Well organized and well advertised, this year’s show dazzled. Members of the pen community, old and new, hobnobbed and shared in 4 full days of inky geek love.

But, I’m getting head of myself.

The drive was actually uneventful for a change. No blowouts, thunderstorms or tornados. It was really challenging driving in dry, sunny conditions.

As no show would be complete without a battlefield visit, I returned to Manassas/Bull Run for the first time in more than 30 years. It seemed much bigger when I was a kid. While the first land battle of the Civil War did range over several miles, the park focused on the epicenter of the battle. The gently hilly terrain really played a significant part of the battle…as did inconsistently colored uniforms. I remember marveling up at the big bronze statue of Gen. Stonewall Jackson as a kid. It really commands the view of the battlefield, but as an adult the statue looked comical, as Jackson’s biceps are seemingly 3 times larger than his head. Not even Superman is that out of proportion.

Overlooked is the battle of 2nd Manassas, which took place a little more than a year after the first. Just down the road from the original battle site, the second battle was another victory for Jackson and the South, setting up the battle of Antietam a short while later. A little more isolated that first Manassas, the battlefield seems better preserved and very soothing to visit on a sunny afternoon with all of the cicadas and grasshoppers warming up for the evening, as tall grasses and wildflowers sway in the breeze. Hallowed ground for certain.

I love these chandeliers hanging in the ballrooms of the hotel at the DC Pen Show. It has a certain jellyfish quality to it.

The pen show was great. My friends and I arrived to be among the first to set up Thursday morning on the free-for-all no table assignments day. As the day sped by, more vendors set up temporary shop and weekend pass holders got first crack at some phenomenal pens. This is the day to be there for vintage pen fans. About 2 hours before tear down, it was like a huge family reunion, as I met with and talked to friends from all over the U.S., Canada, Croatia, Czech Republic and Russia. It is quite possible I left out a few countries, but it is unintentional.

Friday got an early jump. My fellow vendors started arriving around 8:30 in the morning, AND we already had table assignments waiting for us. It was great to set up before the crowds rushed us. But, rush us, they did. I got so busy setting up and helping early customers that I totally forgot to move my car from under the portico to a real parking space! Thank goodness the hotel didn’t have my car towed! My roommates and friends gave me well-deserved hell for it for the rest of the weekend.

Saturday was a blur, but, at one point, I got to host my first repair seminar with pen tool genius Dale Bebe. We had an hour to explain the fundamentals of restoring a lever-filler pen and what tools to achieve our goals.

How busy does the DC show get? This is how full it was before it officially opened for the day!

As I did that my friend Neal S. watched my table with stunning success, really helping me while I was away. That night, I made my annual pilgrimage to the Black Pen Society meeting. Yay, scotch and cigars.

Sunday was a busy morning, and then–just like that–it was all over. It was time to say farewell and pack up all my troubles in my old kit bag.

Monday, I finally got to play tourist in our nation’s capitol. I took my first Metro ride downtown to the National Mall. (The Metro is way cleaner than the El in Chicago…smoother riding, too.) My destination was a 30-year bucket-list museum: The Smithsonian Air & Space Museum.

Howard Hughes broke both speed and distance records with this graceful, slick art deco wonder with wings.

FIRST, it looks nothing like “A Night at the Museum” with Ben Stiller and Amy Adams. I was very disappointed about that…and no Amy Adams-portrayed Amelia Earhart flirting with me. Once I got over that, I enjoyed the surprisingly small museum. Impressive were the original Wright Flyer, Glamorous Glennis (the first plane to break the sound barrier), authentic V-1 and V-2 rockets and missiles from WWII and myriad other aircraft. Yet, what really spun my prop was Howard Hughes’ HB-1 plane circa 1935 that broke all of the then-known speed records. A precursor of the Bee-Gee, this plane was as fast and sleek looking as any plane on display! I loved it and a 1930s plane that was the first to fly across all of Antarctica.

To my greater surprise, my favorite exhibit looked at the history of navigation! I actually learned how to use a sextant and a chronometer to find my global position using stars at night! Now I kinda wanna roam around the country with a sextant and calculating my position on earth. The display moved through the years, also discussing how early pilots had to use the sun and a modernized sextant to navigate before radio beams could be used and then, ultimately, satellites.

Another great trip in the books.

Ink Fast Test #5: Diamine & ColorVerse

I went a little ink crazy at Vanness Pens during the Little Rock Pen Show, back in April. Afterall, they only have the world’s largest selection of ink…and they were kind enough to ply just about all of the vendors and weekend pass holders with free food (including chocolate-covered bacon) and beer. As such, I dove further down the Diamine rabbit hole…and then I won a free bottle of ColorVerse Kepler’s Laws ink in a raffle!

These are before and after samples of Diamine and ColorVerse inks left in the sun for 3 months.

Now it is time to share my experiences with the inks. My all-time favorite blue ink is the old Waterman’s Florida Blue, so I had to try some of Diamine’s Florida Blue. Diamine Florida Blue is a very pale blue that is just a little too deep to be turquoise. I still prefer the much darker Waterman version. I put a test sample in a sunny window, and the UV rays completely erased the Diamine Florida Blue test sample! Definitely not archival quality ink, although it is attractive for artistic writing uses.

Diamine Mediterranean Blue ink is gorgeous when used in a really wet pen. The photo proof sample isn’t as generous of its deeper hues of blue. It could be my replacement for Waterman’s discontinued ink…except it too was completely erased by the sun!

My favorite ink find of the past year or two was Diamine’s Ancient Copper. When I saw the Diamine Autumn Oak at the shop, it looks about a shade lighter in a rich orangy brown. It is a beautiful ink when fresh. Annnnd, luckily it holds up a little better than Diamine blues in 3 months of sunlight.

Of the four inks, ColorVerse’s Kepler’s Laws held up best to the sun. It is a rich red color with purple hues and a little shimmer when fresh. (I don’t see the shimmer, but all of my pen pals insist that they see it.) It writes better than I thought it would. I was really worried it would clog up my pen, but I didn’t have that experience in a Delta Fusion A2 I have with a stub nib. After 3 months in the sun, the more vibrant red aspects vanished, but a slightly watery merlot color remained strong.

And for those who are curious about the black header ink, it is the already tested and proven Aurora black. A bad-ass ink that never quits.

One Crazy Summer!

Since last writing, I’ve been to the inaugural St. Louis Pen Show, moved secret underground workshop lairs and hosted visits by many members of my college fencing team!

The first St. Louis Pen Show was a monster success and a ton of fun.

First to the exciting and wonderful new St. Louis Pen Show. More organized than several already established pen shows, Anne and her crew have spent 2 years advertising and promoting this incredible show. Many of us vendors were worried no one would attend, aside from vendors. But no! A city’s worth of people who had never previously attended a pen show filled the venue for 3 days!

The trip down was uneventful…until we almost got run off the road by a tornado! About 2 miles from the venue, a huge cell of storm clouds began blowing across the interstate. Wind was howling debris across the highway, even bowing flag poles. A native-born Midwesterner, I didn’t worry until the clouds turned green and sirens started going off. Talk about bad times to be stuck in rush hour traffic.

Luckily, I only got rained on. No funnel cloud formed near me to whisk me away to Oz.

Many of the vendors were regulars on the show circuit, and we were all excited to catch up and discuss the past month or two since we’d last met. During the days of the show, nearly everyone who came to my table gushed about attending their first show. And most of the folks were 40 and younger! Heck. We even had a lot of kids collecting their first fountain pens. It was super encouraging to see.

Unfortunately, it wasn’t all fun and games. After a very nice auction on Friday, one of our longtime friends passed away. John F. and his wife were among the first to welcome me into the pen show scene after a particularly bruising first or second Chicago Pen Show for me about a decade ago. John was a retired newspaper editor, and I was freshly out of newspaper work in an era that has seen the decimation of newspapers across the country. We commiserated and bonded over our journalistic past. We’ve talked at nearly every pen show since. This night was no different, as he recounted his recovery from a rather severe stroke a few months earlier. Little did either of us realize our conversation just before the auction would be our last. All of the vendors were upset to hear of his passing just as the show opened for Saturday.

Among the things this show got so right was the ceaseless promotion that included heavy media promotion to reach out to new showgoers. Plus, they had cell phone aps to help people navigate the show! AND, they had a break room for the vendors that was loaded with soda, sandwiches and snacks! Like other shows they had table watchers, a great bar scene for after-hours meetings and catching up, loads of free parking and a very nice hotel.

If you didn’t go this year, be sure to attend in 2019.

Here’s a quick peek at our new workshop as it comes together for many more great vintage pen repairs.

Soooo, in other news, we’ve moved! Well, we still have the same P.O. Box and Website, but the secret underground workshop is now much larger and better suited to fix all of your favorite vintage pens. We’re not 100% unpacked but close, as you can see from this top secret photo.

This will be a temporary home, hopefully, for only a year or two. Because after this, we want to buy our forever, permanent home.

Good Lord. I hate moving! I hate it! I hate it! I hate it! It is stressful as all get out, moving a small business and home at once. Luckily, the new place is much nicer and all of the business items have been unpacked and accounted for. Sorry for the lack of updates for so long.

And while all that transpired, I had three lovely visits from Blue-Hair Cathy, Chewbacca and The Chihuahua. All teammates from my college fencing team…an unspecified number of years ago. All arrived separately on different days. Two from Montana and one from Antarctica! It was great to catch up on all of our current lives, while reminiscing about all of the people we impaled together.

And now we resume your regularly scheduled vintage pen and pre-owned luxury pen mania.

Atlanta Bound w/ 100s of New Pens

We’ve been busy since our first pen show of 2018. We now have more than 100 pens not presently available online that we will be debuting at the 2018 Atlanta Pen Show.

Here is just one box of goodies that we’ll be bringing to the 2018 Atlanta Pen Show. It is full of fun items you can’t find on our site!

It will be an exciting trip, with many friends that we hope to meet, again, and side trips to the battle of Chickamauga and the Georgia Aquarium.

Yet, in the meantime we’ll tease you with just some of the brands on our table you will only be able to see at the show: S.T. Dupont, Conklin, Faber Castell, Elysee, Jaguar, Delta and Conway Stewart!

We also will have the new Lamy AL-Star vibrant pink pens and ink!

Meanwhile, you can keep ordering pens from our site. Orders will ship out as soon we return from the show. Hope to see you there, though!

Ink Blotters for a Hat Collector

Vintage ink blotter advertising is awesome when you include guys in hats and a 1920s roadster.

The perfect ad for a vintage addict like me. Hats, blotter and a great red roadster! Who wouldn’t want to hitch a ride inside that ad?

The brick-and-mortar closing of my favorite hat shop (Hats Plus) in Chicago saddens me, as I cannot count the number of hours I’ve spent there trying on hats and envisioning my latest vintage looks. I probably started obsessing over hats at about the same time I began obsessing over fountain pens. Baseball caps, flat caps and Civil War souvenir hats are staples in photos of my childhood. I finally found some fedoras to wear around the time I was 13. It was all downhill from there.

While they will carry on in the webosphere, I shall miss my friends at Hats Plus in the flesh.

Thanks to my friend Len P. here in Chicago, I’ve been able to crossover my love of pens with hats. While divesting his blotter collection this past summer, he gave me some of his great hat advertising blotters.

In honor of Hats Plus, I’m sharing some of my favorites from the hat blotter collection. I hope you enjoy them as well as Len and I do.

 

 

 

 

Even a World War couldn’t stop the progress of hatters. I’d kinda kill get get my hands on the blue or “mallard” fedoras. Good ol’ Victory Felts by Swann Hats.

Women look just as good as men in this alluringly fashionable advertising ink blotters from what looks like the 1910s and ’20s.

 

 

 

 

 

 

 

 

 

Stetson was known both for its cowboy and western hats as well as its urban fedoras. Gotta love those silent film star cowboy fashions.

Here’s a snazzy look at Stetson’s mens’ hats from the 1930s! The times back then sucked, but people sure looked good…if they could afford it.

 

 

 

How Do I Start Collecting Pens? Vintage vs. Modern

You can’t go wrong with vintage or modern pens. In either case, it is best to do a little research to know what to look for to get the best deal. It also helps to know if you intend to use or display them.

MODERN PENS

Most people who are new to collecting pens start with more modern pens, and this is a great place to start. When you buy new, you aren’t buying into any problems not covered by a warranty. Plus, you can frequently find less expensive pens that help you get acclimated to the hobby while satisfying your jones for awesome writing instruments. If you’re enjoying your TWSBIs, Kawecos, Heros and Lamys, just revel in the joy they bring and don’t let any pen snobs get you down.

Lamy calligraphy nibs range in size from 1.1mm to 1.9mm. Each provides a distinctive nuance to you handwriting. The Lamy Joy fountain pen set is a great way to try all three sizes for fewer than $70.

The aforementioned brands are all great places to build up a daily-use collection on a budget, and you typically get great steel nibs with the Lamy pens and TWSBIs. Experiment with nib sizes and inks. The more you write with them, the better you will understand characteristics of fountain pens such as smoothness, feedback, flex, flow and the size grips (In more technical fountain pen parlance, the part you grip is usually called the section.)  that feel best.

Once the collecting bug has bitten, you might be tempted to branch out into vintage users, luxury users or vintage or luxury collectible pens. We will get to vintage in a minute, but for now we’re sticking to modern.

Like any car you buy brand new, the second you buy a brand new luxury pen, its price drops the when you bring it home. If you buy new, you get all of the joy of being the first to use the pen and are guaranteed it will be displayed without any damage. Yet, there is a great deal of money to be saved by purchasing luxury pens from Cross to Montblanc on the second-hand market.

To safely buy second-hand, it is best to have two checklists of things to investigate before spending your hard-earned money: the dealer and the pen.

As far as dealers go, check to see if they are established and reputable. Ask around on social media forums. Investigate the website. Check out their social media accounts and reviews. Is there a return policy? Do the descriptions honestly address damage and wear on the pens? Some pens might be perfect and listed as new old stock. But if a pen was clearly a daily user and is still described as absolutely flawless, get suspicious. Ask questions of the dealer. Most should get back to you within a day, unless they are traveling to a pen show. Feel free to ask for more photos. If you are buying from an auction site, never pay “buy it now” prices, as they are usually hyperinflated. Check the seller’s rating. If they have a few hundred or more sales with a 98% or higher approval rating, you’re probably pretty safe. Some bad vendors just keep creating countless new accounts to shed their old bad ratings. Don’t be afraid to buy from a brand new auction vendor, but don’t go crazy-high bidding. Also, especially on auction sites, set a budget for a pen. Even some fairly rare pens come up pretty often. Don’t be afraid to let them go until the right one comes along for your budget.

Montblanc pens are often authenticated by their serial number, “Pix” written under the clip and by coming complete with their box and papers.

If you are buying a pen as a user, make certain that the pen is in good working order. Get a good description for how the nib writes. If you are buying for display, make sure the pen is complete with minimal or acceptable wear. If you are at a store or pen show, ask to dip the nib and give the pen a scribble. Research ways to authenticate that the pen is not a fake. Most modern Montblanc pens since the mid-1990s have a serial number on the clip band, the word “Pix” in high relief under the clip and various models have other telltale signs of authenticity. For example: The black “precious resin” of the caps and barrels is really a translucent merlot red when held to sunlight or another strong light source. Most fakes of any brand also don’t have the original box and papers. Pens with boxes and papers typically carry a premium compared to ones that don’t.

VINTAGE PENS

Do not be daunted by the world of vintage pens. It is a ton of fun. Start slow. Get a feel for what you are doing. Do lots of research, and grow as you feel more and more comfortable. Unless you are independently wealthy, don’t start by spending $1,200 on a mandarin yellow Parker Duofold Senior that needs a complete overhaul. Start safely with a few fully restored $50 Parkers, Sheaffers or even Esterbrooks.

Sheaffer’s early nibs of the 1920s featured heart-shaped breather holes. Who says fountain pens aren’t romantic.

There are tons of great books and websites dedicated to vintage pens that can help point you in the right direction. Whether you want to restore, write or display, it won’t take long to get into the swing of vintage. Plus, most of these pens were designed specifically for daily use. Hardcore vintage pen lovers are convinced their nibs are better than most modern nibs. Plus the pens are more lightweight and designed not to let you cramp up during the writing of a long letter or journal entry.

Unless you are collecting for display, it is vital to know if the pen has been restored before you purchase it. Restored pens will cost more than unrestored, but there is no worse surprise than thinking you’re buying something that works only to discover it doesn’t. Even vintage new-old-stock pens might have some wear from rattling around a desk or drawer, so be sure to know what type of damage it has. Also find out about the pen’s nib? Is it original and/or in great working order? What size line does it write? When buying online this can be tough to gauge. The dealer might honestly find it is perfectly smooth because of the angle she or he writes, and you might write from a different angle that has feedback with the same nib.

If buying a vintage pen in person, always ask to see the pen before you pick it up. It is a very nice courtesy that saves dealers many broken or misplaced pens. When examining it, look it over closely for wear, discoloration and stains. Gently place the cap on your thumbnail and pretend to screw the pen on to your thumb. If there is a crack, your thumbnail will likely snag on it long before you can see it. Run your thumbnail over the threads of the barrel, too. Some cracks hide there, too. Ask to gently work the filler without ink to make sure it works. Again, ask to dip the nib to see how it writes. Try to get as close to your usual writing position as possible. Also check to see the strength of the barrel and/or cap imprints. Is there brass shining through the gold plate on the clip, cap band or lever?

PRICING

Comparison shopping is easier than ever in the age of the internet. Every site has its own pricing strategy, some offer better deals on certain pens than others. Follow pens on auctions sites to see what they are going for, too. You can even look up pens and check their “sold price.”

Mandarin Parker Duofolds are very fragile and rare. They are among the most expensive vintage Parker Duofolds.

If you see what look like two similar pens of drastically different prices, feel free to contact the vendor to ask why. Sometimes, subtle differences between pens can have huge effects on the price. One orange hard rubber senior Parker Duofold with two cap bands might look almost identical to the same pen in an early orange hard plastic, but their prices are going to be vastly different. (The old orange hard rubber is a lot rarer and more expensive.)

 

BUILDING RELATIONSHIPS

Dealers are not usually hard, cruel keepers of pens. We like getting to know our customers. Don’t be afraid to e-mail or call with questions. If you build a good relationship with a dealer, they are likely to keep a lookout for pens you want at better bargains…giving you the first option to buy. Who doesn’t love dibs on great pens before the rest of the public can see them?!

How Do I Start Collecting Pens? Know Thy Obsession

Starting a pen collection isn’t always easy. There are soooooo many great pens out there in need of a good home. Where do you begin?

There is no right or wrong way to begin, but sometimes it helps to narrow your options.

Do you like dip pens, fountain pens, ballpoint pens or rollerball pens? Do you prefer vintage pens or modern? Do you want to write with them? If so, do you want to use them for everyday writing or do you want to perform calligraphy or Spencerian scripts? Do you just love their design and aesthetic? Are you collecting for an investment? Are you looking to make an impression during special signing ceremonies? Are you dedicated to a specific period in history and only want pens to go with what is perhaps a larger collection of that era? Do you love to tinker with things and want to learn the art of pen restoration? Do you simply love the fact that millions and millions of dollars were spent researching and designing many complicated ways to fill a fountain pen with ink?

It is not unusual at all to find yourself drawn to one or more of these questions. Over the course of this series we will begin breaking down each of these questions and discuss the pertinent issues with each of them, along with other elements of collecting pens.

TYPES OF PENS

Defining the four major types of pens is a good way to find common understanding and definitions of what you are interested in collecting. Most of this might be what many of you already know, but you would be surprised by how many people are still learning. I especially want to encourage people to learn as much as they can about this fun hobby…and obsession.

Some dip pens are made of glass, gold, silver, wood and even ivory.

This is a modern dip pen made of Murano glass. It is great for testing new inks.

Dip pens are the most basic type of pens that use water-based inks. You can still find many beautiful examples dating back as far as the 1700s when ornate metal pens began replacing feathered quills. A dip pen can be typically made of metals, glass, wood or ivory. The writing point is called a nib, which was usually made of gold, glass or steel. To write, you simply dipped the nib in ink and started scribbling. Depending on the pen, you could write about two to ten words per dip. You can find many base-level dip pens with steel nibs for around $1. Yet, some dip pens are ornately made with silver, gold, mother of pearl, ivory and other precious materials. Big flexible gold nibs from the late 1800s are prized for their ability to create works of art with the Spencerian handwriting method.

FUN FACT: The famous American Civil War historian Shelby Foote wrote the rough draft to his extensive two-volume history of the war using an authentic Civil War-era dip pen and period appropriate nibs! He said he did it to feel a closer connection with the people about whom he was writing and to slow himself down to really think about what he was writing.

Fountain pens, also known as ink pens, use gold or steel nibs like dip pens, but these pens were the first to carry an internal reservoir of water-based ink. Originally made of hard rubber, these pens first came on to the scene in the late 19th century. Fountain pens seemed to enter their glory days in the 1920s through the 1950s. Myriad mechanical systems were invented to fill a pen with ink. Pumps, levers, buttons, pneumatics, diaphragms, pistons, cartridges and converters have all been used to load a pen with ink. Another feature unique to fountain pens was the inkfeed. This is a special assembly under then nib that delivers ink to the nib while regulating its flow. Typically, fountain pens can hold 8 to 12 legal pad pages worth of ink. Some pens can hold a lot more ink and others much less.

American author Samuel Clemens, who wrote under the pen name Mark Twain, was the spokesman for the Conklin Pen Company in 1903.

FUN FACT: Mark Twain was the first celebrity to be paid to endorse a pen company. The Conklin company of Toledo, Ohio, paid him to speak well of their Conklin Crescent. Twain claimed he liked their early fountain pen best because it carried its own ink reserve, and its crescent-shaped filling system prevented the pen from rolling off his desk. He left out the fact that he was the first author to ever write a novel on the marvelous new invention called the typewriter…and had no intention of going back to pens to write novels. Faster and ultimately easier to use and easier to read than a fountain pen, both writing instruments remained vital for myriad needs.

Ballpoint pens were first invented during World War II. Fountain pens use water-based inks drawn, normally, from glass inkwells. They are also gravity fed. Thus, while running around under fire in combat, it is difficult to keep your pen from making a mess and your inkwell to keep from breaking. A ballpoint pen uses a (typically) tungsten ball bearing at the base of a cartridge full of oil-based ink. The ink is more viscous and less likely to slop around and make a mess. The ball lets the pen write on most any surface. The early generation ballpoints had a lot of issues, primarily due to the ink drying too quickly inside the cartridge. Yet, once ink cartridges were perfected, these pens became infinitely cheaper and easier to mass produce than traditional fountain pens. The ink lasted much longer, dried instantly on the page and took a much longer time to dry out inside the cartridge. Soon the pens were gussied up with great designs that employed twists, clicks and caps to protect their writing points. These days, ballpoint pens rarely have caps and are more readily identified by being either twist or click pens.

FUN FACT: Parker first introduced its Jotter model click ballpoint pen in the 1950s, and it is still one of the most popularly sold ballpoint pens today!

Rollerball pens were the last major evolution of pen designs. Many pen users found that they missed the smooth, fast-writing action of water-based ink but preferred the ballpoint style compared to fountain pens. As such, the rollerball was born. It combined the best of both worlds by having cartridges that hold water-based ink that is delivered with a very smooth, fast and efficient ballpoint.

What type of pen is your favorite?

Me? I love all pens, but my greatest passion is for fountain pens. After discovering my late grandfather’s Sheaffer Lifetime when I was 9, I was hooked. It wrote better than anything I had ever experienced. I was a particularly strange child. I clearly remember resenting my first grade teacher who made us write with pencils. Dirty, ever-shrinking and inconsistent pencils. The sloppy, ugly stains left by erased mistakes. “Only adults can use pens,” my first through third grade teachers insisted. I genuinely resented them for it, and I routinely asked special permission to use pens on homework that was especially important. Weirder still, I would try to rally my classmates in protest of pencils. Honest to God! And I resented them when they preferred pencils and being shackled with the label of irresponsible children not yet ready for something as clean, dignified and mature as pens. I actually rejoiced when Ms. Bartuce permitted those of us with especially neat handwriting to use ballpoint pens toward the end of fourth grade.

You can ask my parents. I am not making this up.

I never dared bring my precious fountain pens to school, but I was particularly devoted to my clickable Parker Jotter in junior high. When I was an exchange student in Germany during my junior year of high school, all of my classmates saved up their money to drink themselves blind in a country that served alcohol at 16. Me? I knew that most Germans still use fountain pens and that I could get real bargains on brand new fountain pens that would be way too expensive in the U.S. Instead of getting drunk every night, I insisted my host family take me to a quality stationary store where I fell in love with an elegant stub-nibbed Rotring. (I wasn’t totally square. I also fell madly in love with a beautiful blonde fraulein who liked me as much as I liked her. We just never drank to the point of vomiting in the gutter.)

Painting A Parker Vacumatic Blue Diamond

Use Testor's paints to fill in the blue diamond of your Parker Vacumatic clips. Some clips have old paint that tells how dark you should repaint it. Testor's 1111 Dark Blue paint is good for darker blue diamonds and 1110 is good for lighter blue diamonds. I used the 1110 Blue on the Vac Major you see in this photo. Also shown is a toothpick I use for the painting process.

Use Testors paints to fill in the blue diamond of your Parker Vacumatic clips. Some clips have old paint that tells how dark you should repaint it. Testors 1111 Dark Blue paint is good for darker blue diamonds and 1110 Blue is good for lighter blue diamonds. I used the 1110 Blue on the Vac Major you see in this photo. Also shown is a toothpick I use for the painting process.

You have successfully put a new diaphragm into your Parker Vacumatic. The celluloid and gold trim gleam from expert polishing. Now, how do you go about making the finishing touch and repainting the old blue diamond in the clip?

Some clips still have their enamel…or at least some of it. Most these days, do not have it.

Some purists say you should never paint in the blue diamond. Other experts say it is no big deal.

Me, I like finishing the look of the pen as close to factory fresh as I can make it. If you have an ultra rare model with partial paint, perhaps you should leave it as is. But for most of the working pens I deal with, fresh paint won’t effect the value.

The big trick is finding the right color paint to get the blue diamond as close to accurate as possible.

Having spent all of my teen years as an avid model airplane builder, I ran straight to the nearest hobby shop to turn to trusty Testors paints. I took a handful of clips with me and began comparing and contrasting the paint options.

That is when I noticed not all blue diamonds in the Parker Vacumatic clips were the same. Some were lighter and some were darker blue. I let the remnant paint/enamel in the old diamond guide me. I finally settled on two Testors blue paints from their myriad shades.

If you look on the bar code sticker on the back of the paint bottle, you will notice the name of the color and a number. That color number should be universal in any Testors paint display.

For the lighter blue diamonds, I found that the 1110 Blue by Testors is a near perfect match. The next shade darker  is the 1111 Dark Blue, which is a near perfect match for the darker blue diamonds. It sounds intuitive, but there are so many blues from which to pick.

Painting the diamond takes a steady hand and only a teeny-tiny amount paint. You can use a single-hair brush, but I find I prefer using a toothpick that I’ve whittled to an extra-fine point.

Dab in the paint until you have filled in the diamond. Use a magnifying glass to make sure you have filled in the corners. There is bound to be some spillage outside the raised lines of the diamond. I try to clean it up with the dry edges of the toothpick by rubbing a clean, dry edge of the toothpick along the edge of the diamond. If the paint gets down into the feathers of the arrow logo, a little paint thinner on a Q-tip can help get it out before it sets. Remember to make sure the Q-tip is not sopping wet with thinner, as spilling the thinner into the wet paint of the diamond can mess things up, too.

Best of luck on painting your diamonds blue!